A History of European Art

style to around 1550 or extend the style to the middle of the 18th century to the death of Tiepolo, the great Venetian painter. ...

Lecture 30: Italian Baroque Painting in Rome Giovanni Lanfranco for major commissions led to Domenichino’s departure for Naples, ...

the chariot, not Apollo. The career of Pietro da Cortona (1596–1669) was centered in Rome. As Italy’s greatest Baroque painter, ...

Lecture 30: Italian Baroque Painting in Rome Baciccio (Giovanni Battista Gaulli): Adoration of the Holy Name of Jesus, 1674–79, ...

Wittkower, Montagu, and Connors, Art and Architecture in Italy, 1600–1750, Vo l. 1 : Early Baroque. How did the Carracci inÀ ue ...

Lecture 31: Gian Lorenzo Bernini Gian Lorenzo Bernini ...................................................................... Lec ...

century sculptor Giovanni da Bologna. Compare Bernini’s statue to Giovanni da Bologna’s Rape of a Sabine Woman (c. 1579–1583), i ...

Lecture 31: Gian Lorenzo Bernini that look like theater boxes, loges. They are populated by the seven cardinals of the Cornaro f ...

Bernini’s work at St. Peter’s began long before his triumph in Piazza Navona under the patronage of Pope Urban VIII Barberini (1 ...

Lecture 31: Gian Lorenzo Bernini Gian Lorenzo Bernini: Apollo and Daphne, 1622–25, marble, 8’ H (2.4 m H), Galleria Borghese, Ro ...

Peter Paul Rubens ......................................................................... Lecture 32 Peter Paul Rubens was bor ...

Lecture 32: Peter Paul Rubens and the northern Netherlands À ourished, while the south, which remained under Spanish Habsburg ru ...

The exterior of both wings closed depicts St. Christopher and the Hermit. The hermit guides St. Christopher with a lantern. (Com ...

Lecture 32: Peter Paul Rubens Rubens admired Marie and welcomed her to Antwerp during her exile. Like Bernini, Rubens completely ...

from whom he was separated for long periods during the negotiations, died in 1626. The landscape stretches to the Earth’s end, a ...

Lecture 32: Peter Paul Rubens Henry IV Receiving the Portrait of Marie de’Medici, 1622–25, oil on canvas, 12’ 11” x 9’ 8” (3.94 ...

Compare one of Rubens’s landscapes with one of Bruegel’s. Explain the unifying elements of Rubens’s triptych of the Raising of ...

Lecture 33: Dutch Painting in the 17 th Century Dutch Painting in the 17th Century ............................................. ...

reported more than twice as many painters as bakers and four times as many as butchers—but few of them earned their living solel ...

Lecture 33: Dutch Painting in the 17 th Century His earlier group portraits were often set at banquets, with the militiamen seat ...