A History of European Art

Bartrum, Grass (contributor), Koerner (contributor), and Kuhlemann (contributor), Albrecht Dürer and His Legacy. Daniel De Simon ...

Lecture 24: Riemenschneider and Grünewald Riemenschneider and Grünewald .................................................. Lectu ...

The altarpiece consists of a centerpiece and two wings. The wings have scenes carved in relief. On the left wing is the Entry in ...

Lecture 24: Riemenschneider and Grünewald a group of sculptures by Niklaus Hagenauer done in 1490, 20 years before Grünewald ass ...

stretches her hands up in grief and prayer. The painting is dated 1515 on the ointment jar near the Magdalene. Christ’s head inc ...

Lecture 24: Riemenschneider and Grünewald and a woman bathed in an aureole of light. Bridging the space between the Concert of A ...

Matthias Grünewald: Isenheim Altarpiece, c. 1510–15, oil on panel, closed: 8 x 10’ (2.43 x 3 m), Musée d’Unterlinden, Colmar, Fr ...

Lecture 25: Netherlandish Art in the 16 th Century Netherlandish Art in the 16th Century ....................................... ...

Spanish troops took it to Madrid in 1568. By 1593, it was in the Escorial, the royal monastery and palace outside Madrid. Given ...

Lecture 25: Netherlandish Art in the 16 th Century persons in the city was associated with a religious order. Bosch’s art has a ...

convince a man to sign a document, with an inkwell supplied by a demon, conveying his property to the monastery—a sharp criticis ...

Lecture 25: Netherlandish Art in the 16 th Century The inscriptions on the scrolls at the top and bottom spell out the condition ...

We have noted the advance of the Protestant Reformation and the reaction of the Counter-Reformation, that is, the forceful count ...

Lecture 25: Netherlandish Art in the 16 th Century Belting, Hieronymus Bosch. Koldeweij and Vandenbroeck, Hieronymus Bosch. Wha ...

Pieter Bruegel the Elder ................................................................. Lecture 26 Pieter Bruegel, which is w ...

Lecture 26: Pieter Bruegel the Elder The Fall of Icarus (c. 1558) is from a well-known story related by Ovid. Icarus and his fat ...

and sword. The meaning is unclear, but Meg has “the wild stare of the true fanatic, armed for combat,” as one art historian note ...

Lecture 26: Pieter Bruegel the Elder bride and her family. The strong diagonal line anchors the composition. Note the bagpipes, ...

Blind Leading the Blind, 1568, tempera on canvas, 2’ 9 ¾” x 5’ ¾” (86 x 154 cm), Museo e Gallerie Nazionali di Capodimonte, Napl ...

Lecture 27: Mannerism and the Late Work of Michelangelo Mannerism and the Late Work of Michelangelo ............................ ...