The Cognitive Neuroscience of Music

406      there is overlap of the receptive fields so that the same sensory populations respond to ...

2.Holding, D. H. E.(1989) Human Skills, 2nd ed. Chichester, New York: John Wiley & Sons. 3.Wilson, F. R.(1989) Acquisition a ...

22.Karni, A., G. Meyer, C. Rey-Hipolito,et al. (1998) The acquisition of skilled motor performance: fast and slow experience-dri ...

45.Byl, N. N., M. M. Merzenich, and W. M. Jenkins(1996) A primate genesis model of focal dysto- nia and repetitive strain injury ...

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  RELATION OF MUSIC TO OTHER COGNITIVE DOMAINS ...

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 27 THE SOUNDS OF POETRY VIEWED AS MUSIC   Abstract An extended parallel is developed between musical and pros ...

Even where the two coincide in their segmentations, their meanings differ. Syntactic trees represent parts of speech and syntact ...

within its immediate context. Linguists have proposed a so-called metrical grid to rep- resent linguistic stress in words and ph ...

the intonational phrase. There is little point in continuing to yet another level, for, as in music, distinctions in linguistic ...

is not that different cultures prefer different metrical grids, but that the possible combina- tions of two and three, across or ...

in such cases what function the poetic foot serves. In the present view, iambs, trochees, dactyls, and so on, arise not from a p ...

This analysis indicates conceptually equal durations between tactus beats. To derive sub- tactus levels, the two requisite princ ...

would violate condition 2, weakening the word boundary. A compromise is effected in Figure 27.10 by a duple realization—two equa ...

much generative linguistics, well-formedness constraints would underdetermine the options for contour realizations. A different ...

pitch levels do not stay absolute but are relative. In short, our contour model is highly idealized. Even so, it generates plaus ...

Figure 27.13a performs this step for the first couplet. Figure 27.13b appends pitch heights for the syllables in the third hiera ...

Figure 27.15 gives three kinds of prolongational connection: (1) strong prolongation or repetition, represented by a dashed slur ...

related prolongationally by similarity but without the incorporation of nested patterns of stress.^15 ) The three prolongational ...