The Cognitive Neuroscience of Music
Thirteen ways of hearing a melody One way to appreciate the cognitive richness of melody perception is to enumerate the differen ...
marked by silences (musical rests). Of greater interest are the boundaries at the end of the third and fourth phrases, which are ...
culture.^14 Violations of these schemata are quite salient (sound example 2). In fact, insensi- tivity to such violations is dia ...
relations (see below)). Thus despite its fundamental role in melodic perception, parallelism and its perception is only beginnin ...
common than tone 1 in the melody (13 vs 4 occurrences), yet tone 2 never serves as a rest- ing point: instead, it almost always ...
respectively), form a structural core of chords in any key.^25 Although unaccompanied melodies do not have explicit harmony, the ...
is termed anacrusis or upbeat). Another meta-relation illustrated by K0016 is the relation between contour and beat. Consider ph ...
and then introduce a new technique for measuring cortical activity during the perception of melodies.^44 Existing approaches to ...
flow and metabolism are sluggish signals, which grow and decay over many seconds in response to the physiological demands of the ...
processes, it is presumably because cognitive processes influence the state of auditory cortex (e.g. its balance of excitatory a ...
Details of the tone sequences employed To explore brain dynamics during tone sequence perception, we used statistically generate ...
10 – 13). For each sequence heard by a subject we studied the amplitude and phase (relative to the acoustic AM) of the aSSR in c ...
degree of lag between the time-referenced input signal and the oscillatory brain response is measured by the phase of the aSSR. ...
We found that across participants, the different conditions were characterized by differ- ing degrees of phase coherence. Random ...
two right hemisphere quadrants (Figure 21.9B). This is of interest because neuropsycho- logical studies of brain-damaged patient ...
Conclusions The study of melody perception provides both a challenge and an opportunity for cognit- ive neuroscience. Melodies, ...
as a function of stimulus structure in real melodies. This may allow an objective quantifica- tion of perceptual coherence of me ...
13.Drake, C.,M. R. Jones, and C. Baruch(2000) The development of rhythmic attending in audit- ory sequences: attunement, referen ...
36.Gibson, E.(2000) The dependency locality theory: a distance-based theory of linguistic complexity. In Y. Miyashita et al. (ed ...
57.Schmuckler, M. A.and D. L. Gilden(1993) Auditory perception of fractal contours.J. Exp. Psychol. Hum. Percept. Perform.19, 64 ...
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