marcin
(Marcin)
#1
unpredictable echo aroused that evening by
Pasolini’s poetry constitutes the profound
reason for writing in dialect.” I cite this
impression and consideration textually to
describe the condition of the Sardinian poet
who swims upstream like a lost salmon in
order to trace back and find that very “inner
resonance” again, that “unpredictable echo”
that for Brevini constitutes the profound
reason for writing in dialect and, for the
Sardinian, the profound reason for his
finding himself again in his natural,
maternal, ancient linguistic habitat, severed
at the roots by the recurrent dominations,
The use of the dialectal linguistic
instrument is for the Sardinian, therefore,
not only a means to swim upstream, to
recreate his history (if history, our history, is
above all the search for our most intimate
word, our most secret, most authentic and