marcin
(Marcin)
#1
and maybe the figure in whom the problem
of the relationship language/dialect,
cultured poetry/primitive-popular poetry is
posed first and foremost in more “reasoned”
terms, more peremptorily “ideological” and
existential, and then in technical terms, as
the instruments of his craft are developed
and rigorously realized.
The reasons, then, for his writing
“dialect” poetry ─ closely related to a deep
awareness of the lack of connotation in the
official literary language and of the
“deviations” of the massmedia society ─ are
certainly to be found, in my opinion, in the
field of memory/childhood, but also and
above all in the sociological and
anthropological dimension of an area of
Southern Italy, the region of Molise, to
which he bears witness and of which he is an
original, open-minded and well-informed