ng A Wooded Road
85.GA.95
EXHIBITIONS: Landscape in Perspective: Drawings by Rem-
brandt and His Contemporaries, Arthur M. Sackler Mu-
seum, Harvard University, Cambridge, Mass., and
Montreal Museum of Fine Arts, February-May 1988,
no. 73 (catalogue by F.J. Duparc).
BIBLIOGRAPHY: J. Spicer, in Master Drawings from the
National Gallery of Canada, exh. cat. (National Gallery of
Art, Washington, D.C., 1988), pp. 136-37, n. 8, under
no. 41; G. Keyes, "Landscape in Perspective: Drawings
by Rembrandt and His Contemporaries, " Master Draw-
ings 27, no. 2 (Summer 1989), p. 165.120 The Mocking of Christ
83.GA.358
BIBLIOGRAPHY: J. Kruse and C. Neumann, Die Zeich-
nungen Rembrandts una seiner Schule im National-Museum
zu Stockholm: Beschreibender unà kritischer Katalog (The
Hague, 1920), p. 26; W. R. Valentiner, Die Handzeichnun-
gen Rembrandts (Stuttgart, 1934), vol. 2, pp. 34, 389, no.
475-
121 Shahjahan and Dará Shikoh
85.GA.4 4
EXHIBITIONS: Romance of the Taj Mahal, Los Angeles
County Museum of Art, December 1989-March 1990,
no. 206 (catalogue by P. Pal et al.).JACOB VAN RUISDAEL
122 Dead Trees by a Stream at the Foot of a Hill
85.GG.4io
EXHIBITIONS: Landscape in Perspective: Drawings by Rem-
brandt and His Contemporaries, Arthur M. Sackler Mu-
seum, Harvard University, Cambridge, Mass., and
Montreal Museum of Fine Arts, February-May 1988,
no. 7 9 (catalogue by F.J. Duparc).JOACHIM ANTHONISZ. WTEWAEL
125 A Young Woman Assisted by a Gentleman
85.GA.23O
EXHIBITIONS: Dutch and Flemish Drawings, National-
museum, Stockholm, 1953, no. 85 (catalogue by N.
Lindhagen and P. Bjurstrôm); Oude Tekeningen uitde Ne-
derlanden: Verzameling Prof. E. Perman, Stockholm, Singer
Museum, Laren, June-September 1962, no. 152 (cata-
logue by E. Perman).BIBLIOGRAPHY: M. L. Bennett and A. Mongan, Selec-
tions from the Drawing Collection of David Daniels, exh. cat.
(Minneapolis Institute of Arts and other institutions,
1968), under no. 6; W. Stechow et al., Mannerism: Apogee
and Epilogue, exh. cat. (Vassar College Art Gallery,
Poughkeepsie, 1970), p. 72, under no. 106; W. W. Rob-
inson, Seventeenth-Century Dutch Drawings from theMaida
and George Abrams Collection, exh. cat. (Rijksprentenka-
binet, Amsterdam, and other institutions, 1992), p. 22,
n. 2, under no. 2.ALBRECHT DURER
129 Stag Beetle
83.Gc.2i4
BIBLIOGRAPHY: F. Anzelewsky, "Pflanzen und Tiere im
Werk Dürers: Naturstudien und Symbolik, " Jahrbuch der
Kunsthistorischen Sammlungen in Wien 82-83 (1986-87),
p. 39; F. Koreny, Albrecht Durer and the Animal and Plant
Studies of the Renaissance (Boston, 1988), pp. 112; 124, un-
der no. 38; no. 36; C. Eisler, Dürer's Animals (Washing-
ton, D.C., 1991), p. 136, pi. 19HANS SCHÀUFELEIN
134 Christ Taking Leave of His Mother
85.GA.438
BIBLIOGRAPHY: V. C. Raguin, Northern Renaissance
Stained Glass: Continuity and Transformations, exh. cat.
(Iris and B. Gerald Cantor Art Gallery, College of the
Holy Cross, Worcester, 1987), p. 61, under no. 24.HENRY FUSELI
137 An Old Man Murdered by Three Younger
Men
84.GG.7ii
The subject has been identified by D. Scrase as the mur-
der of Alexander of Pherae (Plutarch, Life of Pelopidas,
chap. 65) (letter to G. Goldner, August 30, 1988).HANS HOLBEIN THE YOUNGER
138 Portrait of a Scholar or Cleric
84.GG.93
BIBLIOGRAPHY: A. Mongan, "On Silverpoint Draw-
ings and the Subject of Left-Handedness," in Drawings
Defined (New York, 1987), pp. 160 , 162, fig. 12.FRANCISCO JOSE DE GOYA Y LUCIENTES
141 He Can No Longer at the Age 0/98
84.GA.64 6358 ADDENDA