A Critical Introduction to Modern Arabic Poetry
INTRODUCTORY 9 and the Lebanon. However, because most, if not all the works printed in Syria were for a long time Christian text ...
INTRODUCTORY 10 different system of education which soon produced men destined to occupy important posts in the government could ...
INTRODUCTORY 11 conscious movement that aimed at providing reliable and accurate Arabic versions of literary and cultural works, ...
INTRODUCTORY 12 by Ya'qub Sarruf and Faris Nimr in 1876, and it transferred to Egypt only in 1885, where it continued to appear ...
INTRODUCTORY 13 official language of the country. Isma'il ordered that all Ottoman laws passed since Muhammad Ali should be tran ...
Neoclassicism Arabic literature was slow to react to the changes that were taking place in the Arab world in the nineteenth cent ...
NEOCLASSICISM 15 imitativeness and lack of originality, the same addiction to hyperbole and verbal tricks, the same fundamental ...
NEOCLASSICISM 16 or its author's creative imagination.^4 Yet Yaziji's contribution was by no means negligible. He managed to pur ...
BARUDI 17 Constantinople, where he occupied a post in the Ministry of Foreign Affairs, and perfected his Turkish and learnt Pers ...
NEOCLASSICISM 18 an imaginative spark that radiates in the mind, sending forth its rays to the heart, which then overflows with ...
BARUDI 19 my heart, which drove me to raise my voice with poetry or to chant it in order to obtain solace for my soul. Here Baru ...
NEOCLASSICISM 20 Arabic poetry such as boastfulness, satire and elegies, together with bucolic, amatory, hunting and war themes ...
BARUDI 21 When Barudi imitates creatively, as indeed he does quite often, he ceases to be a mere echo of the great poets of the ...
NEOCLASSICISM 22 Never again shall my heart rest from sorrow, now that you have gone, Never again shall my bed be soft. When I a ...
BARUDI 23 Nature, in fact, constitutes one of the dominant themes of Barudi's poetry He devoted whole poems to describing, gener ...
NEOCLASSICISM 24 Wasted by grief, worn out by lack of sleep, I am blinded by curtains of care. Neither will the darkness of nigh ...
BARUDI 25 arise naturally and organically from the individual experience itself. Breaths are related to the poet's breath, alrea ...
NEOCLASSICISM 26 al-Muttalib, 'Ali al-Jarim, Jamil Sidqi al-Zahawi, 'Abd al-Muhsin al-Kazimi, Ma'ruf al-Rusafi, Muhammad Rida al ...
BARUDI 27 noticeable in the poetry of eulogy in which it is exceedingly difficult to dis- tinguish between the subjects of encom ...
NEOCLASSICISM 28 cannot be said that the most successful of committed' neoclassical poems are in any meaningful sense a mere cop ...
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