Principles of Copyright Law – Cases and Materials
79 II. RIGHTS MORAL RIGHTS CANNOT BE TRANSFERRED, BUT THEY MAY BE EXPRESSLY OR IMPLIEDLY WAIVED Moral rights may, in many juri ...
(b) Right of attribution The practice of “ghost writing” is common. Those who cannot write frequently commission those who can t ...
81 II. RIGHTS It is clear that to give screen credit to a person not reasonably entitled thereto would be a fraud upon the publi ...
[W]hat is called literary property has a character and attributes of its own and ... such a contract as we are now called upon t ...
83 II. RIGHTS [T]he copyright law should be used to recognize the important role of the artist in our society and the need to en ...
JUDGE GURFEIN (concurring): The Copyright Act provides no recognition of the so-called droit moral, or moral rights of authors. ...
85 II. RIGHTS banner, repeated on other pages, with four icons each containing a reduced- size photograph from the encyclopedia. ...
question is whether the terms of the Act as drafted can fairly be said to cover such programs as encoded in the ROM chip. ... I ...
87 II. RIGHTS of the program, without the plaintiff’s authorization, infringed the plaintiff’s copyright. The appeal court affir ...
recordings contained on their CDs from any place where they have an Internet connection. To make good on this offer, defendant p ...
89 II. RIGHTS U.S., translated the serialization into Farsi and published it without the plaintiff’s authority. The plaintiff su ...
[The facts of this case have already been stated, above. The plaintiff also argued the computer program forming the operating sy ...
91 II. RIGHTS THE ADAPTATION RIGHT Berne Article 12 grants authors the exclusive right of authorizing “adaptations, arrangemen ...
A version that is abridged or supplemented may still fall within the adaptation right Sillitoe et al. v. McGraw-Hill Book Co. ...
93 II. RIGHTS [This case has been considered above under Ideas vs. Expression. The plaintiff claimed that his right to make a dr ...
If mounting works a “transformation,” then changing a painting’s frame or a photograph’s mat equally produces a derivative work. ...
95 II. RIGHTS Jennings v. Stephens [1936] Ch. 460 (U.K.: Court of Appeal) LORD JUSTICE ROMER: No one ... can doubt that the conc ...
audience were merely members of the public who were paying two shillings a year for, among other things, the privilege of being ...
97 II. RIGHTS It is established that, in deciding whether a performance is “in public”, the character of the audience is the dec ...
Thus the rights to perform and to record a work are considered sufficiently distinct that they are generally assigned separately ...
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