Historical Painting Techniques, Materials, and Studio Practice
168 Figure 2. Paul Delaroche, Study for The Execution of Lady Jane Grey, ca. 1833. Wa tercolor and body color over pencil, with ...
Figure 3. The Execution of Lady Jane Grey. Pencil drawing fo r the central group, 18 X 16.5 cm. London, British Museum {fo rmerl ...
170 Figure 4. Il1frared reftectogram from Lady jane Grey's skirt in The Execution of Lady Jane Grey. block, but the scale of the ...
Figure 5. Detail of Lady Jal1e Grey fr om The ExeclItion of Lady Jane Grey. white, red lake, and black), similar in color to tha ...
172 pletely that it is difficult to distinguish between them. The lowest paint layer (above the grayish wash of the drawing and ...
Figure 6. Paul Delaroche, The Execution of Lady Jane Grey, ca. 1834. Canvas, 45. 7 X 53.3 e/11. Corporation of London, Guildhall ...
174 Foissy-Aufrere, M.-P 1983. La jeartlle d'Arc de Paul Delaroche, Salon de 18 24: dossier d'une oeuvre. Rouen: Musee des Beau ...
Merimee,J.-F.-L. 1830. De la peinture a I'lwile [etc.]. Paris: Mme. Huzard (facsimjle reprint, Puteaux: Erec, 1981), 70-71. Pai ...
Abstract Turner's use of sketches on paper, his development of successful oil sketch es into finished paintings, his prefer en ...
F(gure 1. J. M. W. Turner, Goring Mill and Church, ca. 1806-1807. Oil sketch on canvas, 857 X 1162 111111. Courtesy of the Ta te ...
178 Figure 2. J. M. W. Tumer, Dolbadern Castle, North Wales, 1802. Oil 011 canvas, 1190 X 889 /11111. Courtesy of the Royal Acad ...
Figl/re 3. Detail if lower left, s/lOwillg wlltractioll cracks ill vitulllell-rich paillt, jrolll J. M. W. Tu r lIer's The Hero ...
180 Figure 4. Detail (s howing cracks) from William Hilton the Yo unger's study of Editha's head fo r Edi tha and the Monks Sea ...
Figure 5. J. M. W. Tumer's The Dawn of Christianity, the Flight into Egypt, exhibited 1841. Oil on cal1vas, 787 X 787 111m. Cour ...
182 sively about the varnishes Turner used. He may have varnished later works only when they were sold. Megilps compared to oil ...
TabLe 1. Dates of manufacture of inorganic pigments introduced 17 75- 187 5, with the earliest instance of their use found to da ...
184 Reynolds was known to experiment with paint media, and he might be supposed to have tried out new pigments too. Five of his ...
Kennedy of the Ulster Museum, Viola Pemberton-Piggott of the Royal Collection and Helen Valentine of the Royal Academy, who arra ...
Abstract Several of Whistler's paintings were examjned and, where possible, ana lyzed; specific examples of pigment and media a ...
Figure 3. Brushes, paints, palettes, and other painting materials. Courtesy of the Hunterian Art Gallery, University of Glasgow, ...
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