Music Listening, Music Therapy, Phenomenology and Neuroscience
The Musical Timespace 28 A few years after composing Metastasis, Xenakis was asked by Le Corbusier to suggest a design for the a ...
The Musical Timespace 28 A few years after composing Metastasis, Xenakis was asked by Le Corbusier to suggest a design for the a ...
2 – States, Events and Transformations 31 These virtual auditory images can be heard as sounding analogies of states, events and ...
2 – States, Events and Transformations 31 These virtual auditory images can be heard as sounding analogies of states, events and ...
The Musical Timespace 34 a collection of orchestral pieces of various lengths and forms, like Couperin's "Livre pour clavecin" o ...
The Musical Timespace 34 a collection of orchestral pieces of various lengths and forms, like Couperin's "Livre pour clavecin" o ...
The Musical Timespace 36 The gliding bundles of quarter-tones opening Livre pour Orchestre are heard at 0'00-0'32 in the recordi ...
The Musical Timespace 36 The gliding bundles of quarter-tones opening Livre pour Orchestre are heard at 0'00-0'32 in the recordi ...
2 – States, Events and Transformations 39 Common for the three composers discussed in this chapter is their inten- tion of creat ...
2 – States, Events and Transformations 39 Common for the three composers discussed in this chapter is their inten- tion of creat ...
41 Thou lovely art, in many a dreary hour When life in all its dreaded toils surrounds me, Hast thou my heart enkindled to new l ...
41 Thou lovely art, in many a dreary hour When life in all its dreaded toils surrounds me, Hast thou my heart enkindled to new l ...
3 – Space, Time, Flow and Memory 43 Retention of musical form is the effect of a variable and rather unpre- dictable interaction ...
3 – Space, Time, Flow and Memory 43 Retention of musical form is the effect of a variable and rather unpre- dictable interaction ...
3 – Space, Time, Flow and Memory 45 Fig. 3.1. Memorized representations of listening dimensions Qualitative and quantitative pot ...
3 – Space, Time, Flow and Memory 45 Fig. 3.1. Memorized representations of listening dimensions Qualitative and quantitative pot ...
3 – Space, Time, Flow and Memory 47 additive rhythm or divisive rhythm and meter. Qualitative and quantitative potentials of lis ...
3 – Space, Time, Flow and Memory 47 additive rhythm or divisive rhythm and meter. Qualitative and quantitative potentials of lis ...
4 –Time, Space and the Environment 49 become "now," and "now" turns into unalterable fact. Such passage is measurable only in te ...
4 –Time, Space and the Environment 49 become "now," and "now" turns into unalterable fact. Such passage is measurable only in te ...
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