Sartre

Emotional consciousness, in Sartre’s seemingly deprecatory term, is a “degradation” of consciousness in which consciousness beli ...

5 Consciousness as imagination The Imaginary In many respects this book summarizes and expands the arguments and applications of ...

As we suggested above, Sartre divides parts one and two of his work into the “Certain” and the “Probable,” according to the Huss ...

insists that the image is nothing other than a relation. Rather than an object itself, despite the substantive, what we call the ...

manner that seems observational) and concept (we grasp the definition immediately). How do we reconcile these seemingly contradi ...

observation approximates with what he will later criticize as the structuralist (in that instance, Foucauldian) approach to hist ...

denoting “the immediate consciousness of [the object’s] nothingness” (Imaginary 14 ). This brings us to its final characteristic ...

dimension of each type of image (its “essence” as image) remains the same, justifying our referring to each as a type of image r ...

An act that aims in its corporality at an absent or nonexistent object, through a physical or psychic content that is given not ...

and word-image as object and source of enrichment anticipates and parallels Sartre’s famous distinction between “prose” and “poe ...

a physical pain, continues to exhibit its effects in our emotional and imaging consciousnesses. The final and most significant c ...

Consider the caricature of Pierre. What it added to the concept and the photograph was a dimension that yielded “Pierre in flesh ...

aesthetic object, a person or a historical period in its totality is rendered “incarnate.” Thus, he will say that the entire Ren ...

The dreamer is someone who lives as if there were no world – nothing to be irrealized. “A consciousness that dreams is always no ...

structure of the image” ( 57 ). He repeats his critique of Bergsonism in The Imaginationthat the root of his approach to mental ...

psychology remains contemporary with The ́odule Redul.”^27 Sartre views the emotions in French literature in the same light. The ...

These two can sometimes come into conflict with regard to “the same” object, as when Peter, whom you know is facing you, is irre ...

taking stock of his oeuvre and that tension between image and concept that has marked his work up to this point. He first consid ...

thus rendering association superfluous. Consciousness is moved by motives, not causes, a remark he will repeat inBeing and Nothi ...

solution if we would “once and for all, renounce that being of reason that is pure sensation” (Imaginary 121 ). Among these line ...