The Routledge Companion to Research in the Arts
voi Ces That ‘sweet friend’, mimesis, could not of course prove her title; the divine madness of poetry’s origin means that crea ...
addressing the ‘anCient quarreL’ pause in the flow of life, a perspective from which to view the world, and a position offered o ...
voi Ces an ongoing concern and point of debate among writers in the academy, and also among the administrators and bureaucrats w ...
addressing the ‘anCient quarreL’ the creative medium is written language, creative writing does not readily permit the exploitat ...
voi Ces This is not a position held by creative writing researchers alone; as John dewey wrote over a century ago: pretty much a ...
addressing the ‘anCient quarreL’ to shift beyond either emotion or reason, to achieve a state that provides room for both: in ef ...
voi Ces creative work undertaken on a systematic basis in order to increase the stock of knowledge, including knowledge of man, ...
addressing the ‘anCient quarreL’ marketing campaign which made much of the author’s own sadness, encourages readers to read the ...
voi Ces of such work can often show how difficult it is to dissociate creative product from its source material once the public ...
addressing the ‘anCient quarreL’ a bowerbird, in other words, is a researcher capable of drawing data and ideas together from ac ...
voi Ces at the beginning of the nineteenth century, at a time when language was burying itself within its own density as an obje ...
addressing the ‘anCient quarreL’ We will return to this below but want to stress the point that this, like so many other practic ...
voi Ces example that has been used in a number of discussions about practice- led research in creative writing: if a playwright ...
addressing the ‘anCient quarreL’ and a half ago, media theorist Tom o’Regan wrote, ‘Conferring and creating meaning ... is neces ...
12 The ViRTual and The phYsiCal: a phenomenologiCal appRoaCh To peRFoRmanCe ReseaRCh Susan Kozel artistic research is a converge ...
the virtuaL and the Physi CaL motion and materiality it is possible to avoid reinforcing such an unhelpful distinction. Followin ...
voi Ces (Kozel 2008). some philosophers i have known operate from an implicit assumption that the attention to explicit lived ex ...
the virtuaL and the Physi CaL a kinetic dimension, too, can be elaborated: ‘i dance and the forces i set in motion dance through ...
voi Ces across oneself and another, oneself and the world, immanently between one’s vision and movement). There is infinite scop ...
the virtuaL and the Physi CaL logic applies: if we intentionally choose to regard our performance as research then this is the f ...
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