The Routledge Companion to Research in the Arts
voi Ces generalizations over groups of phenomena and often need to abstract somewhat from the particular unifying quality of a s ...
embodied knowing through art learning how things are and how they can be reconfigured to change the underlying quality of a cert ...
9 RheToRiC: WRiTing, Reading and pRoduCing The Visual Joan Mullin Rhetoric, lodged in the ancient art of oral presentation, is c ...
rhetoriC: writing, reading and ProduCing the visuaL landscape) or multimodal. By applying rhetorical analysis to movement, visua ...
voi Ces demonstrate how rhetoric that combines with art scholarship becomes itself visual, aural and kinaesthetic. Finally, art ...
rhetoriC: writing, reading and ProduCing the visuaL wall or ceiling lines, slowing the pace of its occupants and creating collab ...
voi Ces (prelli 2006: 5). But how does an artist who might care about his art being accessible, decide whether it is the audienc ...
rhetoriC: writing, reading and ProduCing the visuaL laureate, Barbara mcClintok claims her discoveries in plant cytology are due ...
voi Ces as art practitioners, provide a good example of creative pedagogical scholarship. such scholarship draws on writing and ...
rhetoriC: writing, reading and ProduCing the visuaL in the case of An Experiment ... focusing our sight on the bird in the air p ...
voi Ces own and students’ abilities. The reverse is also true: there is much work needed in adopting visual metaphors to explain ...
rhetoriC: writing, reading and ProduCing the visuaL exhibit’ (Jorgensen- earp 2006: 42). such rhetorically examined cases unders ...
voi Ces extending the existing vocabulary. drawing on rhetorical vocabulary which provides or names concrete images can help bri ...
rhetoriC: writing, reading and ProduCing the visuaL While this research is presented in a print text, arts research- practitione ...
voi Ces Mash- up: rhetoric becomes physically performative anew ‘mash- up’, the mixing of the already made to create something n ...
rhetoriC: writing, reading and ProduCing the visuaL arms and hands is not straight, but acute (less than 90 degrees relative to ...
voi Ces The reader/viewer’s engagement with delangrage’s text likewise deepens with discovery, is orchestrated through choice of ...
10 ReseaRCh and The selF Morwenna Griffiths Introduction This chapter considers the role of the self in research. it argues that ...
voi Ces or another. even articulating who we are seems to change us: as we grasp at the self, it dissolves in our hand-reassembl ...
researCh and the seLf Further, (5) embodiment is crucial. The world is understood through the body and also perceptions of our b ...
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