Somebody Telling Somebody Else A Rhetorical Poetics Of Narrative
down their different postclassical paths, exploring the questions accompany- ing their particular approaches, their answers typi ...
book will elaborate on the principles as it puts them to work and, in some cases, explicitly offers further commentary. I invite ...
ber 2. Rather than declaring what narratives invariably do or how they invari- ably do it, I seek to understand and assess the v ...
Attending to all three points in the loop also sometimes makes rhetori- cal theory wary about thematic abstraction. For example, ...
audience of the Harry Potter novels believes that the entire population of the world can be divided into two types: witches and ...
the audience, while the ethics of the told refer to the ethical dimensions of characters and events, including character-charact ...
the feedback loop among authorial agency, textual phenomena, and readerly response in Faulkner’s novel. (8) The underlying rheto ...
more characters in unstable situations, he advances the plot by complicating those instabilities, and he ends the plot by resolv ...
in clearly anti-mimetic worlds. Furthermore, developments in the course of a narrative can generate new relations among those in ...
CHAPTER 1 Somebody Telling Somebody Else AUTHORS, RESOURCES, AUDIENCES 13 WHY AREN’T CHARACTERS IN THE NARRATIVE COMMUNICATION M ...
science” in his work on The Structure of Scientific Revolutions; that is, it is an accepted way of doing work within an existing ...
“I know that,” the prosecutor said. “I also know he was driving a car that cost four grand and he’s twenty-seven years old and w ...
Three features of Higgins’s communication stand out. First, Higgins relies heavily on the character-character dialogue to perfor ...
that Higgins implicitly endorses. Jackie faces the ethical choice of whether to help himself by informing on his associates or t ...
myself asking the question that provides the title for this section with even more urgency: why aren’t characters part of that m ...
its ability to adequately explain how communication in the passage works. Far better to say that characters are agents acting in ...
This recognition in turn allows us to recognize the continuity between two narrative techniques that the story/discourse distinc ...
of communication (author-narrator-audience and author-character-audience), that these channels will interact with each other, an ...
golfer and Luster do not talk with each other. Faulkner deploys the author- golfer-caddie-audience channel to introduce the key ...
world consists of their one room and Outer Space. The passage is part of Donoghue’s communication about the night Old Nick visit ...
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