Speculative Taxidermy

(Joyce) #1
2783. DIORAMAS


  1. K. Barzman 2002, “Academies, Theories, and Critics,” in M. Kemp, ed., The Oxford His-
    tory of Western Art (Oxford: Oxford University Press), 290–293.

  2. H. W. Jason 1985, Nineteenth-Century Sculpture (New York: Abrams).

  3. In this instance, the term Realist is employed to define the Realist movement in art that
    developed in France starting in the 1840s as a challenge to Romanticism and History
    painting. Nochlin 1971:13–57.

  4. J. Goodman 2002, “Pictures and Public,” in M.p, ed., The Oxford History of Western
    Art (Oxford: Oxford University Press), 304–311, ref. on 304.

  5. Jason 1985.

  6. T. Richardson 1990, The Commodity Culture of Victorian England: Advertising and
    Spectacle, 1851–1914 (Stanford: Stanford University Press), 3–4.

  7. C. Frost 1981, Victorian Taxidermy: Its History and Finest Exponents (Long Melford:
    Privately published by the author), 7.

  8. P. A. Morris 2010, A History of Taxidermy: Art, Science and Bad Taste (Ascot: MPM), 54.

  9. Frost 1981:7.

  10. L. Vergine and G. Verzotti 2004, Il Bello e la Bestia: Metamorfosi, Artifici e Ibridi dal
    Mito all’Immaginario Scientifico (Milano: Skira), 202.

  11. D. Fox 2008, “Constructed Reality: The Diorama as Art,” Antennae: The Journal of
    Nature in Visual Culture, no. 6 (Summer): 13–20.
    4. THE END OF THE DAYDREAM


S. Sontag, 1977, On Photography (London: Allen Lane), 15; J. R. Ryan 2000, “Hunting with the
Camera: Photography, Wildlife and Colonialism in Africa,” in C. Philo and C. Wilbert, eds.,
Animal Spaces, Beastly Places: New Geographies of Human-Animal Relations (London: Rout-
ledge), 214.



  1. K. Barad 2012, “What Is the Measure of Nothingness? Infinity, Virtuality, Justice,” part
    of the series 100 Notes, 100 Thoughts: dOCUMENTA (Berlin: Hatje Cantz).

  2. G. Harman 2012, “Third Table,” part of the series 100 Notes, 100 Thoughts: dOCU-
    MENTA (Berlin: Hatje Cantz).

  3. C. Pentecost 2012, “Notes from Underground,” part of the series 100 Notes, 100
    Thoughts: dOCUMENTA (Berlin: Hatje Cantz).

  4. D. Abram 1997, The Spell of the Sensuous: Perception and Language in a More-Than-
    Human-World (London: Vintage).

  5. G. Deleuze and F. Guattari 1998, A Thousand Plateaus: Capitalism and Schizophrenia
    (London: Continuum, 2003).

  6. Q. Meillassoux 2008, After Finitude: An Essay on the Necessity of Contingency (New
    York: Continuum), 5.

  7. L. Bryant, N. Srnicek, and G. Harman, 2011, The Speculative Turn (Melbourne: Re-
    Press), 4.

  8. D. Coole and S. Frost, eds., 2010, New Materialisms: Ontology, Agency, and Politics
    (Durham: Duke University Press), 5.

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