Gender and Space in Rural Britain, 1840-1920
30 Gender and Space in Rural Britain, 1840–1920 Th us, in Th ompson’s world, only when this kind of work is more genteel and und ...
‘Between Two Civilizations’ 31 In his journal entry for 21 June 1908, Sturt comments that with the decline of ‘peasant-life, mos ...
32 Gender and Space in Rural Britain, 1840–1920 ripened and steady-growing, rough but not without well-being. But I cannot do it ...
‘Between Two Civilizations’ 33 ated with rising social status, because in her view their acquisition of ‘the éclat of living in ...
34 Gender and Space in Rural Britain, 1840–1920 lations he makes on the signifi cance of this. Like Jeff eries and Th ompson, he ...
‘Between Two Civilizations’ 35 or status on the employee, and principally announced the enhanced social stand- ing of her employ ...
36 Gender and Space in Rural Britain, 1840–1920 and its intimate personal demands’.^46 He also linked the decline of that mutual ...
‘Between Two Civilizations’ 37 from; but he is immediately obliged to concede that ‘it is impossible to give an idea’ in detail ...
38 Gender and Space in Rural Britain, 1840–1920 for example, his graphic description of the sheer drudgery and wretchedness of a ...
‘Between Two Civilizations’ 39 Doings, to which each contributes his tiny part’.^60 Modern society, he believes, has produced a ...
40 Gender and Space in Rural Britain, 1840–1920 journals, however, remain much more provisional in their analysis of change and ...
41 – 3 AT WORK AND AT PLAY: CHARLES LEE’S CYNTHIA IN THE WEST^1 Gemma Goodman Th ey have no time to sit and look at Nature. Th ...
42 Gender and Space in Rural Britain, 1840–1920 Carah, Cornishman (1898), Cynthia in the West (1900) and Dorinda’s Birthday (191 ...
At Work and at Play 43 of communication, travel and access to goods via the internet mean that distance is really no longer a fa ...
44 Gender and Space in Rural Britain, 1840–1920 graphical distance – its peripherality seems to prevent those writing from an En ...
At Work and at Play 45 to be concentrated within such a small place and their paintings were primar- ily responsible for the ver ...
46 Gender and Space in Rural Britain, 1840–1920 Th e coast might be understood as a liminal space, then, partly because it is pr ...
At Work and at Play 47 when he characterizes the artists as ‘a party of young gentlefolk at play – play- ing at work, playing at ...
48 Gender and Space in Rural Britain, 1840–1920 do so (she confi des to Robert ‘[t]hey will singe their wings, Mr. Maurice. Is i ...
At Work and at Play 49 ders.^42 Mrs Wilmington is a point of contrast to Cynthia and the reading of her and her gender in relati ...
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