Gender and Space in Rural Britain, 1840-1920
70 Gender and Space in Rural Britain, 1840–1920 Adorno and Horkheimer describe the consumer who can only think and feel when sti ...
‘Going Out, Going Alone’ 71 modernist writing more generally. As the critical framework adopted by Gan and Parkins demonstrates, ...
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73 – 5 ‘DROWNED LANDS’:^1 CHARLES KINGSLEY’S HEREWARD THE WAKE AND THE MASCULATION OF THE ENGLISH FENS Lynsey McCulloch Imagin ...
74 Gender and Space in Rural Britain, 1840–1920 ward the Wake lift s the English lowlands into the higher sphere of romance. But ...
‘Drowned Lands’ 75 of this particular landscape – a region of rural Britain under-utilized in its litera- ture – becomes, not an ...
76 Gender and Space in Rural Britain, 1840–1920 Walter Scott’s early nineteenth-century Waverley novels, set predominantly in Sc ...
‘Drowned Lands’ 77 Th e lowlands of the world, being the richest spots, have been generally the soonest conquered, the soonest c ...
78 Gender and Space in Rural Britain, 1840–1920 and Africa used romance as both justifi cation and mystifi cation. Other thinker ...
‘Drowned Lands’ 79 ism and the clans are destroyed as political and social realities, civil society can reclaim them as a form o ...
80 Gender and Space in Rural Britain, 1840–1920 can be imaginatively reclaimed. Th e tale’s central section takes place in north ...
‘Drowned Lands’ 81 chest and strength of limb; while his delicate hands and feet and long locks of golden hair marked him of mos ...
82 Gender and Space in Rural Britain, 1840–1920 It is perhaps possible that, prior to the deforestation witnessed in East Anglia ...
‘Drowned Lands’ 83 female fen dwellers.^40 Torfrida’s warring spirit – inherited from her grandmother dissipates under the infl ...
84 Gender and Space in Rural Britain, 1840–1920 rowings in a manner that inevitably undermines it. Historians and historicists h ...
‘Drowned Lands’ 85 project’s commitment to conservation is unquestioned and its anticipated fi ft y- year duration demonstrates ...
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87 – 6 ‘WANDERING LIKE A WILD THING’: RURALITY, WOMEN AND WALKING IN GEORGE ELIOT’S ADAM BEDE AND THE MILL ON THE FLOSS Charlo ...
88 Gender and Space in Rural Britain, 1840–1920 key site through which the novels make visible the extent and eff ects of gen- d ...
‘Wandering Like a Wild Th ing’ 89 nithorne, and fi nds herself pregnant as a result of the aff air but seeks to conceal the preg ...
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