African Expressive Cultures : African Appropriations : Cultural Difference, Mimesis, and Media
246 african appropriations his comportment in his video clips, in which he presents himself as a man close to the people, Mzungu ...
“cr azy white men” 247 ship (“You don’t know how hard it is here / The streets is tricky in these parts here”). This is part of ...
248 african appropriations sales. However, piracy and their own promotional activities of offering free downloads tend to minimi ...
“cr azy white men” 249 on his latest releases may be read as an attempt to make his music more accessible to his European fans. ...
250 african appropriations is remarkable, as the commemoration of the German war on the Herero and Nama (1904–1907) was high on ...
“cr azy white men” 251 followers each had on his Twitter page looked like this—W hite Nigerian: 6,122, Mzungu Kichaa: 5,655, and ...
252 african appropriations in these two countries, the other two musicians were considerably more popular in continental Europe. ...
“cr azy white men” 253 touch with their followers with a level of regularity and intimacy which no other social media is able to ...
254 african appropriations overflowing with his pleas for votes. W hile he called upon his German Facebook fans to vote for him ...
“cr azy white men” 255 “friend” one another, and start a conversation, which would turn the mu- sician’s page into a hub for cos ...
256 african appropriations the terms of black and white conviviality changed. During our interview, he explained how, despite th ...
“cr azy white men” 257 W hile Jammal and Sell share a history of growing up in Africa, so- journing in Europe, and eventually re ...
258 african appropriations musicians perform both reflexive and banal kinds of cosmopolitanism. They are frequent travelers and ...
259 S Coda MIMESIS AND MEDIA IN AFRICA M i m e s i s i s a b a s ic human way of approaching the world. We un- derstand by imita ...
260 african appropriations and the imitated. Even if an actor plays himself or a painter draws a self- portrait, mimesis is used ...
coda 261 THE NOTION OF THE INTERMEDIARY Across the chapters of this book, we see a wide range of mimesis in terms of the similar ...
262 african appropriations mimesis is frequently considered dangerous for those who undertake it. The belief that imitators are ...
coda 263 observed copying the forms of dress and behavior shown in the movies. Religious hardliners propagated symbolic acts, su ...
264 african appropriations distancing” process which scholars of transnational media consumption describe as one of the attracti ...
coda 265 northern Nigeria lost their validity. Instead, actors and actresses, direc- tors, producers, and technical staff seized ...
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