African Expressive Cultures : African Appropriations : Cultural Difference, Mimesis, and Media
126 african appropriations ment had begun to flourish a couple of years earlier (Furniss 2003). The romantic melodrama is the do ...
figure 4.2 Advertisement for the video Khusufi (2003) from Fim magazine. ...
128 african appropriations showstoppers, and music composed by the popular composer A. R. Rah- man. The film’s lovers meet in th ...
vice and videos 129 lovers’ relationship, Khusufi builds up tension through the conflict be- tween the couple’s fathers. Althoug ...
130 african appropriations which is not uncommon for Hausa videos, and leaves the question of rec- onci l iat ion open-ended for ...
vice and videos 131 culture.” Rabee’u Bebeji’s (2003) detailed critique of the film, published in Fim magazine, focuses on the t ...
132 african appropriations beji did not go unheard. To appease their critics and to justify the moral legitimacy of their video ...
vice and videos 133 a Musulunci” (The place of Hausa films in Islam), the paper is built on the rhetorical form of wa’azi. Its a ...
134 african appropriations potential of small media such as audio- and videocassettes (Sreberny- Mohammadi and Mohammadi 1994).^ ...
vice and videos 135 Shaheed and Judah! both feature religious showstoppers. Shaheed has three song-and-dance routines showing wo ...
136 african appropriations will always be assured of Allah’s miraculous help. During his sermon, he frequently quotes from the K ...
vice and videos 137 stream formulas of comedies and romances. The remaining independent producers did the same. Hence, the films ...
138 african appropriations It’s modernity.... The audience likes the way we get down in the films. If not, they would not buy th ...
vice and videos 139 will rescue you on the very day when you enter the hereafter looking like the English or the Germans? It bef ...
140 african appropriations how the Censorship Board performed its task as well as to commission a number of writers and filmmake ...
vice and videos 141 clip and that it was her boyfriend who had captured the amorous scene on his cell phone. The video was discu ...
142 african appropriations and locations by the censors before shooting. As a prerequisite for regis- tration, a film company wa ...
vice and videos 143 trayed nudity to a certain degree” and that “the type of dressing and danc- ing... contravenes the teachings ...
144 african appropriations Despite the fact that the film was not for sale in Kano, and even though Iyan-Tama was able to prove ...
vice and videos 145 the governor, who was wearing the same striped garment described by the lyrics (Sanusi 2008). Faced with har ...
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