74 http://www.digitalcameraworld.com
PHOTOSTORIES
01
NAME: Patrick van
Vlaenderen
LOCATION: Belgium and France
MISSION: Take a series of
images based around the
themeof black and white
KIT:Canon EOS 6 D, Canon EOS
5D Mark II, Canon EF 2 4- 10 5mm
f/4L IS USM, Samyang 1 4mm
f/2. 8 ED AS IF UMC, Manfrotto
MK 190 XPRO tripod
http://www.patvanvlaenderen.wixsite.
com/fotomaker
PROJECT INFO
02
Back in black (and white)
Patrick set out to shoot a series of landscapes devoid of
colour to concentrate instead on pure tone and composition
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The main reason that I
prefer working with the
monochrome medium is that
the viewer won’t be distracted
by bright colours or objects
that you don’t want them to be
- the focus goes solely on the
composition. I also prefer long
exposures, compared to totally
pin-sharp images taken with a
fast shutter speed. A long
shutter allows me to add
movement and drama to the
image – it feels like I’m getting
more creative. It also gives me
the chance to show the viewer
something they can’t see with
the naked eye. Long exposures
work fantastically with black
and white imagery, as they
have an almost ethereal
quality to them.
Based in Belgium, I shoot
my landscapes all around
Europe, though these
examples are from my home
and my visits to France and
the Czech Republic.
I captured the sunset image
at the Belgian coast after I was
inspired from a vlog by Gary
Gough on YouTube, where he
exposed the sky and
foreground separately and
merged the two images
together. This is what I did
with the photo, Black Sunset,
to create the different levels
of motion in the water and
the clouds in the sky for an
interesting contrast.
My image Ghost Forest
was from a trip to the Czech
Republic that was challenging
due to the freezing-cold
conditions. To create the
‘ghostly’ blur in the trees I
used a technique called,
‘intentional camera
movement’ (also called ICM),
where I panned upwards as
I took the shot with a slow
shutter speed of 1/20 sec,
I