ZBrush Character Creation - Advanced Digital Sculpting 2nd Edition

62 chapter 2 ■ Sculpting in ZBrush

12. Using the Clay brush, add the two-pronged shape here. Notice how it connects to the
    corners of the mouth. When we add skin, the combined effect of the zygomatic major
    and minor, buccinator, and triangularis creates an important form on the skin since
    they all pull that one area (Figure 2.55).


13. Mask out the recesses of the eye sockets. Stepping down subdivision levels (so the
    effect of the brush is stronger) smooths the faces to pull them closer to the surface
    (Figure 2.56).

Figure 2.54 Sculpting the frontalis

Figure 2.55 The levator labii muscles appear as two triangles coming down either side of the

nose. Zygomaticus muscles connect the cheekbones to the corners of the mouth.

Adding the Eyes

We’ll now create a sphere for the eyeball and add it as a subtool to the current model. The

typical human eyeball is about 28 mm. It’s best to make sure the sphere fills out the socket

with a slight give on each corner. The depth of the eye can be determined by the angle in

Figure 2.57. A diagonal drawn between the brow bone and the cheekbone should just touch

the corneal bulge of the eyeball. Remember that you can fill the eye subtool with a material

so it will display the same value as the other tools.