I 4
INDEX
Architectural photography (continued)
Fox, Edward, 543–544
Geoffray, Stéphane, 578–579
Giroux, André, 591
Groll, Andreas, 622
Heid, Hermann, 644
Hunt, Leavitt, 729–730
Innes, Cosmo Nelson, 746
Johnston, Frances Benjamin, 778
Jones, George Fowler, 783
Keith, Thomas, 792–794
King, Horatio Nelson, 798
Le Gray, Gustave, 834, 922
Lemere, Harry Bedford, 845–846
Lorent, Jakob August, 873
MacPherson, Robert, Roman architecture
and antiquities, 881–883, 882
Marville, Charles, 901–903
Mestral, Auguste, 922
Meydenbauer, Albrecht
photogrammetric cameras, 924
Prussian monuments, 924
microphotography, 924–925
Mission Héliographique, 59
Mudd, James, 957
Nègre, Charles, 983
Narciso da Silva, Joaquim Possidónio, 976
Nastyukov, Mikchail Petrovich, 978
Neurdein Frères, 991
new construction, 61–62
Normand, Alfred-Nicolas, 1009
photogrammetry, 1081
photographic collections, 65–66
pictorial representation a necessary
requirement of technical constructions,
62
Pigou, William Henry, 1131
Piot, Eugène, 1131
Plumbe, John Jr., 1138
Portugal, 1152
Pumphrey, William, 1179
purposes, 58
rivals, 846
Robert, Louis Rémy, 1200
Russian Empire, 1230
salt printing processes, 59–60
Sanderson, Frederick H., 1242
stylistic approach, 60
Tenison, Captain Edward King, 1382
Trémaux, Pierre, 1408
in training architects, 60, 61
wet collodion process, 60
Winter, Charles David, 1501
zenith of large-format architectural
photography in Britain, 846
Architectural Photography Association, 59
Archives
commercial photographic archives, 65
Frith, Francis & Co., 558, 560
Arctic, 69–71, 70, 265
Critcherson, George P., 452–454, 453
Dunmore, John L., 452–454, 453
expedition photography, 69–71, 70
landscape photography, 69–71, 70
Miot, Paul-Emile, 932
Moodie, Geraldine, Inuit people, 937
Argentina
albums of views, 72
ambrotypes, 72
Argentine Society of Amateur
Photographers, 72
carte-de-visite, 72
daguerreotypes, 71–72
Gonnet, Esteban, 598
photo illustrated books, 72
photomechanical processes, 72
portraits, 72
scientifi c photography, 72
technical photography, 72
tintypes, 72
Argentine Society of Amateur Photographers,
72
Argentotypes, 1156
derivatives, 1156
Aristo-Platino paper, 1154
Aristotle, 193–194
Aristotypes, 1154
Armstrong, Beere & Hime, 664
Army Medical Museum
medical photography, 1120
photomicrography, 1120–1121
Arnold, Charles Dudley
architectural photography, 73
expositions, 73
Arno Press, New York, 182
Arnoux, Hippolyte, Egypt, 73
Around the World in Eighty Minutes (Walsh,
William Shepard), 192
Art
true to nature, 980
vision, relationships, 78
Artaria, Ferdinando, 83
views of Italy, 83
Art conservation, 1102–1104
authenticity vs. use value, 1102
photography
analytic tool for restoration, 1104
documenting inventory, 1103
reproduced private and museum
collections, 1103–1104
scientifi c documentation, 1103
study of works of art by scientifi c means,
1103
restoration profession in its own right,
1102–1103
Art criticism
Baudelaire, Charles, 119
aesthetic development, 119
Delaborde, Henri, 401
Eastlake, Sir Charles Lock, 461
emerging German approach to art
scholarship, 461
Hartmann, Sadakichi, 637–639
Lacan, Ernest, 811–812
Rigby, Lady Elizabeth Eastlake, 462,
1195–1196
debates about status and role of
photography, 1195
earliest critiques of photography, 1195
history of photography, 1195
Ruskin, John, 1223–1225
Art dealers, 95–97
Agnew, Thomas and Sons, 20–21
catalogues, 96
photographic retailing, 1094
Art galleries, 95–97
Artifi cial light sources, see Lighting
Artigue, 1157
Artigue paper, 270, 271
Artist’s studies, 85–86, 86
artists using, 86
to assist artists, 85
calotypes, 85
Cameron, Julia Margaret, 85
categories, 85
Hawarden, Clementina, 85
nude studies, 85–86, 497–498
Rejlander, Oscar Gustav, 85, 86Ruskin, John, 85
Vallou de Villeneuve, Julien, 1434–1436,
1435
Art Journal, 82
Art photography, 74–76
aesthetics, 76–81, 79
amateur photographers, 34
amateur photographers, 34, 642
architectural photography, 63
Aubry, Charles, 74, 75
The Brotherhood of the Linked Ring, 220
Cameron, Julia Margaret, 75
combination prints, 75
Dührkoop, Rudolf, 450
Day, Fred Holland, 390
Demachy, (Leon) Robert, 408
Durieu, Jean-Louis-Marie-Eugène, 456
Emerson’s justifi cation, 484, 485
Emerson’s renunciation, 484–485
expressive control, 981
genre photography, 576
Germany, 585
Great Britain, 220, 610, 612
Hawarden, Viscountess Clementina
Elphinstone, 642
Hollyer, Frederick, 711
international avant-garde movement, 34
Photograms of the Year, 1082–1083
photography criticism, 346
pictorialism, historical importance, 1127
ignominious end, 1127
Rejlander, Oscar Gustav, 74–75
Robinson, Henry Peach, 981
Sawyer, Lyddell, 1247
Stieglitz, Alfred, 703–704
Talbot, William Henry Fox, 74
truth, 77
United States, 34, 1430
Vienna International Photography
Exhibition, 1449–1451
Watkins, Carleton E., 1477, 1477–1478
Art reproductions, 1098, 1103–1104
Albert, Prince Consort, 1448
Anderson, James, 37
Annan, James Craig, 43
Annan, Thomas, 44
Autotype Fine Art Company, 103
Böttger, Georg, 195
Bedford, Francis, 135
Beyer, Karol Adolf, 154
books illustrated with photographs, 190
Brandt, Christian Friedrich, 201
Braun, Adolphe, 203
Brogi, Carlo, interdiction of reproduction
without authorization, 218
Bruckmann Verlag, Friedrich, 226–227
Caldesi, Leonida, 237–238
Caneva, Giacomo, 268
carbon prints, 204, 270
Carrick, William, 274–275
Collard, Auguste-Hippolyte, 308
Fenton, Roger, 527
France, 549
gravure printing, 204
Hollyer, Frederick, 710–712
platinum print, 711
Italy, 754, 755
Marville, Charles, 901–903
microphotography, 924–925
paintings, 1104–1108, 1105
color photographs, 1107
commercially signifi cant part of
photographic market, 1105
disseminated, 1107–1108