246 !!Index
basses.Seebass voices; double basses;
electric instruments; fretless basses;
synthesized instruments
bass flutes, 130, 130
bassoons,136,136–37
bass pattern, 94
bass voices, 142, 143
bata drums, 112
Battlestar Galactica, 213
Beatles, 25, 38, 147
bed, musical, 71, 79, 96–97, 149, 199
Bee Gees, 147
benefits, union, 9, 198, 221–22
Bennett, Robert Russell, 85
Beowulf, 181
beta testing, 205
Beyonce ́, 147
Billboard,39, 148, 189, 191–92
binary code, 43
binary form, 68
Bizet, Georges, 138
Blood Diamond, 212
BMI.SeeBroadcast Music Incorporated
BMW, 211
bongo drums, 112
Bo ̈sendorfer piano, 98, 107
Botti, Chris, 93
brand building, 1
brass sections, 122–27
Broadcast Music Incorporated (BMI),
194, 208, 235, 246
Broadway shows, 86, 88
Brown, Alfred, 34
Bruckheimer, Jerry, 182
Bruns, Don, 186
budgets: for commercials, 12, 14, 49–50,
159, 219–20; for corporate videos,
173; for films, 6, 23, 81; negotiations
for, 173, 190, 202–3, 218–19; for radio
commercials, 167; restrictions on, 35,
37, 38, 119; for studio equipment, 44,
47; for television, 12, 14, 49–50, 159,
219–20; for video games, 202–4
bumpers, 178
business: agreements, for video games,
202–9; cards, 216; of commercials,
215–42
buyouts, 9, 155, 184, 202, 206
cabaza, 112
call-to-action sequences, 178
camera instructions, 57
career development, 241
cartage fees, 222
celebrity fees, 223
celesta, 107–8, 108
cello, 102, 117–18, 118
cha-cha, 37
chamber music, 35
channel inputs/outputs, 53
Cher, 26
chimes, 110, 111
choral music, 71, 90, 96, 154
chorus devices, 50
Clairol, 4, 7
clarinets,133,133–35, 134
claves, 113
click tracks, 10–11, 41
clients: creative process and, 9, 60; final
approval and, 10, 22–23, 65, 216; lyr-
ics and, 149; storyboards and, 57
clipping lights, 54
close harmonies, 113, 138, 154
Coltrane, John, 138
commercials: analysis of, 57–63; bud-
gets for, 12, 14, 49–50, 159, 219–20;
business of, 215–42; composers and,
10–11, 22, 244; compositional tech-
niques and, 21–22, 75–82; dance
music and, 10–11; editing of, 10–11;
infomercials, 171, 173, 175–79; legal
issues and, 227; melodies and, 10, 59,
73–75, 146; moods and, 40, 200;
orchestration and, 70, 85–143; for
public service, 65; on radio, 21,
165–70; in sheet music form, 145; on
television, vii, 1, 21–24, 165; themes,
musical, and, 37, 59, 67–68, 72–76;
tone of, 2, 19; underscoring and, 8,
10, 165
commissions, 19, 219–20
company histories, 218
completion period, 203
composers: commercials and, 10–11,
22, 244; creative teams and, 22,
57–60; credits, 204; fees for, 202, 207;
storyboards and, 11, 57–60; themes,
musical, and, 193