Appendix 3.01 Survey of The Neurosciences and Music I
- Conference 2002
Part III: Music and Development
Title, CategoryAimMus. Material, Cultural Ref.Technology & ProcedureMain focus of interestConclusion- Saffran (397
-401)Musical learning and language development
Cat. 6: Phonetic sounds
Cat. 9: Child development
*46. Trehub (402
-413)Toward a developmental psychology of music
Cat. 7: Culture Cat. 9: Child development
47. Krumhansl (414
-428)Experience in music cognition
Cat. 1: Melody
Cat. 13: Expectation
*48. Drake & Ben el Heni (429
-437)
Synchronizing with music
Cat. 4: Timing Cat. 7
: CultureThe role of statistical learning for infants’ acquisition of language and music: tracking pat-terns in the environment
Emphasizing theimportanceof studying perceptualabilities of children for a general understanding of cognition
Ecological methodology,related to melodic patternsrepresentative of listeners’ musical experience
Hypothesis: Passive acculturation by implicit learning.We pick upregularities in the music we hearNonsense sequences of syllables, word boundariesnot marked. Pseudo-musicalanalog, each syllable translated into pure tone CR: Neutral Recordings:Numerous kindsof musical material in different types of research. Instru-mental excerpts from popular TV programs
CR:Western, Western
popular, JapanesePiano timbre: 4-tone melodicpatterns that clearly specify a tonality: scale degrees 5123 and 5176, frequent in Western music
CR: Western
Recordingsof typical popularmusic,6 French and6 Tunisian songs
CR: French, TunisianEight-month-old infantsweretested using the Headturn Preference Procedure Comprehensive review of research in developmental psychology. 93 references
12 musically trained subjects.Sparse fMRI while listening to initial patterns followed by tones that were or not were frequent continuations.
Plus review of research.
24 Tunisian,24 Frenchadults. In each group, half were musicians. Task: Tapping procedures according to the Dynamic Attending Theory: spontaneous tapping and tapping in time w. musicPotential contributions of statistical learning: ability to track consistent patterns in the input to discover units and structures
Consonance / dissonance. Pitch, Tempo,Absolute Pitch(AP).
Participants judge how well continuation tones fit their expectations. Timing and task effects on brain activations
Number of hierarchical levels of synchronized tapping with music. Task: to tap slower and faster in synchrony.The Dynamic Attending Theoryproposes that eachindividual has an internal rhythm or rate at which event processing is optimalInfants can detect structureusing statistical cues,rapidly and in the absence of reinforcement
A developmental approach can provide insights ofcomparable importance on many issues of music cognition. At times, naïveté
about cultural conventions leads infants to outperform adultson specific speech andmusic tasks. (p. 404)
Right inferior frontal activation
in the processing ofmelodiescompared to monotone patterns
A person taps slower with the music from a familiar culture, synchronizing at higher hierarchical levels. Passive acculturation plays an important role in perceiving music of own culture.Stronger influencethan musical trainingTheHeadturn Preference Procedure: A technique used to collect behavioral data from infant subjects. It involves teaching the infant that when they turn their headin a certain way, usually to facea visual stimuli, an auditory stimulus willtake place. This way the infant controls what he/she listens too.http://www.psychology.uiowa.edu/labs/maclab/references.asp