130 contemporary poetry
- Linton Kwesi Johnson, in E. A. Markham (ed.), Hinterland:
Caribbean Poetry from the West Indies and Britain (Newcastle:
Bloodaxe, 1989 ), p. 253. - Christian Habekost, Verbal Riddim: The Politics and Aesthetics of
African-Caribbean Dub Poetry (Amsterdam: Rodopi, 1993 ), p. 2. - Habekost, Verbal Riddim, p. 1.
- Markham, Hinterland, p. 21.
- Mutabaruka, ‘Dis Poem’. Available online at http://aalbc.
com/authors/mutabaru.htm. Originally recorded on The
Mystery Unfolds, LP (Newton, NJ: Shanachie Records, 1986 ). - Kamwau Brathwaite, ‘Nation Language’, in History of the
Voice (London: New Beacon Books, 1984 ), p. 13. - Linton Kwesi Johnson, Hinterland, pp. 271 – 2. All subsequent
references to this edition are given in the text. Originally
recorded LP Making History ( 1984 ). - Benjamin Zephaniah, City Psalms (Newcastle: Bloodaxe, 1992 ),
p. 12. All subsequent references to this edition of Zephaniah’s
poems are given in the text. - Kathleen McCracken Gahern, ‘Masks and Voices: Dramatic
Personas in the Poetry of Paul Durcan’, Canadian Journal of
Irish Studies, 13. 1 ( 1987 ), 107 – 20 (p. 108 ). - Paul Durcan, ‘The Beckett at the Gate’, in A Snail in My
Prime: Selected Poems (London: Harvill Press, 1999 ), pp. 131 – 8
(p. 131 ). All subsequent references to this edition of Durcan’s
poems are given in the text. - Paul Durcan, ‘It’s All About Forgetting Yourself: Interview
with Paul Durcan by John Knowles’, Fortnight, 435 ( 2005 ),
20 – 2. - McCracken Gahern, ‘Masks and Voices’, pp. 111 – 12.
- Erik Martiny, ‘Demonic Forefather: Portraits of Samuel
Beckett in the Poems of Paul Durcan’, Nordic Irish Studies, 5
( 2006 ), 149 – 56 (p. 150 ). - Martiny, ‘Demonic Forefather’, p. 150.
- Don Paterson, Landing Light (London: Faber & Faber, 2003 )
pp. 35 – 8. All subsequent references to this edition of Paterson’s
poems are given in the text. - Charles Altieri, The Art of Twentieth Century American Poetry:
Modernism and After (London: Blackwell, 2006 ), p. 163.