The Etruscan World (Routledge Worlds)
Ulf R. Hansson – Figure 51.3–5 Cornelian scarab. Warrior (Achilles/Achle). Master of the Boston Dionysos, circa 520 bce. Flore ...
chapter 51: Engraved gems – of the fi gures on other gems in the group exhibit a mannered, linear drapery. Apart from the grou ...
Ulf R. Hansson – FIFTH-CENTURY WORKSHOPS From the early fi fth century bce onwards fewer Greek gems seem to have been circulat ...
chapter 51: Engraved gems – Figure 51.7 Cornelian scarab. Herakles/Hercle sailing on an amphora raft. From Corchiano. Early to ...
Ulf R. Hansson – Figure 51.8 Cornelian scarab. Herakles/Hercle and Antaios, inscr. hercle. From Populonia. Mid-fi fth century ...
chapter 51: Engraved gems – of them are more likely linked to mythological fi gures;^25 defi ning actions such as these probab ...
Ulf R. Hansson – Figure 51.11 Cornelian scarab. Centaur. A globolo technique. Third century bce. London, British Museum, inv. ...
chapter 51: Engraved gems – periods in terms of style and iconography.^28 And some scarab gems actually had their backs sawed- ...
Ulf R. Hansson – introducing new subject matter, techniques, and shapes. Both the a globolo scarabs and the ringstones are fi ...
chapter 51: Engraved gems – 27 Hansson 2005: 43–68. Southern Italy is especially rich in fi nds, but a globolo gems have been ...
Ulf R. Hansson – Spier, J. (2000) “From East Greece to Etruria: a late sixth-century bce gem workshop” in G. R. Tsetskhladze, ...
CHAPTER FIFTY TWO THE ETRUSCAN PAINTED POTTERY Laura Ambrosini I n this study the most important topics relating to Etruscan pai ...
Laura Ambrosini – quadrupeds, fi sh, and occasional human beings (such the Despotes hippōn [“Master of horses”], ritual acts l ...
chapter 52: The Etruscan painted pottery – Figure 52.3 Etrusco-Geometric tripod pyxis, Narce tomb 1, early seventh century bc. ...
Laura Ambrosini – (Fig. 52.4) and Latium. Its presence in Campania and Sicily into the seventh century bc seems to be regarded ...
chapter 52: The Etruscan painted pottery – The ceramics decorated with herons are the same shapes as those with simple linear ...
Laura Ambrosini – THE ORIENTALIZING POTTERY^8 The decoration was fi rst branded Subgeometric (fi sh and herons), then, in the ...
chapter 52: The Etruscan painted pottery – WHITE ON RED^12 AND RED ON WHITE POTTERY The White on Red pottery (Fig. 52.7) is an ...
Laura Ambrosini – by a decoration of Subgeometric type with repetitive elements. Some new discoveries seem to prove that the L ...
chapter 52: The Etruscan painted pottery – First generation: 630–600 bc The most valuable artistic productions seem to be crea ...
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