The Etruscan World (Routledge Worlds)

Alexandra A. Carpino – Figure 55.7 Detail of the heads of the lid fi gures (a married couple) on a terracotta cinerary urn fro ...

chapter 55: Portraiture – that realistic portraiture in terracotta was not inconceivable at this time.”^44 Examples include th ...

Alexandra A. Carpino – Figure 55.9 Over-life-sized bronze statue of Aule Meteli, found near Lake Trasimene, second–fi rst cent ...

chapter 55: Portraiture – 9 Tuck 1994: 624. 10 Small: 40, 43 and 202: no. 18. 11 Tuck 1994: 624 and Figures 9–10. 12 Brendel 1 ...

Alexandra A. Carpino – 51 Brendel 1995: 398 and Figures 305–306. 52 Ibid. 399 and Figure 308. 53 Colonna 1991; Torelli 2001: 6 ...

CHAPTER FIFTY SIX LANDSCAPE AND ILLUSIONISM: QUALITIES OF ETRUSCAN FUNERARY WALL PAINTING Helen Nagy T he infl uence of Greek ar ...

Helen Nagy – 700–590 bc,^8 have a certain abstract appeal. They hover over black and yellow stripes that separate the back wal ...

chapter 56: Landscape and illusionism – strip. Below the frieze, a dado, variously decorated or consisting of a monochrome fi ...

Helen Nagy – trouble and corrected its head and legs, and then squeezed Troilus on top, so that his head is far too small and ...

chapter 56: Landscape and illusionism – poses of the dancers in the Tomb of the Triclinium, Tarquinia, (circa 470 bc, Fig. 56. ...

Helen Nagy – combined with the increased use of foreshortening in the depictions of fi gures coincide with a decline in the us ...

chapter 56: Landscape and illusionism – Figure 56.9 Tarquinia, Tomb of Orcus II, rear wall (left). Image courtesy of Stephan S ...

Helen Nagy – of landscape in contemporary black-fi gure Greek vase painting: “Olive harvest” on a neck amphora by the Antimene ...

chapter 56: Landscape and illusionism – Rizzo, M. A. (ed.) (1989) Pittura etrusca al Museo di Villa Giulia / nelle foto di Tha ...

CHAPTER FIFTY SEVEN THE TRADITION OF VOTIVE BRONZES IN ETRURIA Margherita Gilda Scarpellini T he Etruscans were famous among the ...

chapter 57: The tradition of votive bronzes in Etruria – beginning in the last thirty years of the seventh century bc, they be ...

Margherita Gilda Scarpellini – Figure 57.2 Worshippers of the Hellenistic period. Arezzo, Museo Archeologico Nazionale Mecenat ...

chapter 57: The tradition of votive bronzes in Etruria – in a suburban sanctuary along the road to Fiesole by an individual ar ...

Margherita Gilda Scarpellini – According to Colonna,^15 the statue known as the Arringatore originated in Arezzo in the early ...

chapter 57: The tradition of votive bronzes in Etruria – Figure 57.6a–b Female worshipper (third–second century bc). Castiglio ...