Frame 05-06

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SOCIETAL Innovation Award WERK BY HYPOTHESIS Sp ac es hif t^ S tu dio Werk – a co-working space in a Bangkok train station – imp ...

for the staggering pace of the daily grind in the burgeoning metropolis of Bangkok. Even though reappropriating unused space in ...

Pe te r (^) L an de rs KACHUMBALA – Capturing the jury’s atten- tion were HKS’s longstanding relationship with Uganda and its co ...

IT’S YOUR TIME TO TAKE THE STAGE Submit your best work from 3 June 2019 at frameawards.com ...

Out NOW THE THEATRE OF WORK Clive Wilkinson This book proposes six humanistic principles that will inform a holistic and collabo ...

LEGACY Generations of Creatives in Dialogue Dialogues between 40 world-renowned creatives explore how the creative legacy of pre ...

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LA B Time was when a sticky floor or muddy field, a few on- stage props (for the lucky few), a couple of spotlights and a smoke ...

148 SHOWS ...

Stufish’s RAY WINKLER discusses how technological innovation on both sides of the stage has raised the stakes for entertainment ...

You’ve spent your career working in a relatively young and little understood part of the architecture industry. What are its ori ...

For the Rolling Stones’ No Filter tour, Stufish created four monolithic screens that represent the band’s four principle members ...

Co ur te sy o f^ S tu fis h 152 SHOWS ...

Stufish spent three years developing a stage design for Elton John’s final tour, Farewell Yellow Brick Road, that could encapsul ...

A mobile platform with a span of 26 m allowed Beyonce and Jay-Z to move over the audience during their 2018 OTR II tour. Ra ve n ...

‘The reason these stages exist is to enable the band to transmit the largest possible presence’ been shot under optimal conditio ...

U2’s Experience + Innocence tour featured a catwalk topped with Stufish’s ‘Barricage video structure’, which connected the two m ...

Co ur te sy (^) o f (^) S tu fis h FRAME LAB 157 ...

Democratic 158 SHOWS ...