Sketch Book for the Artist
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Salvia, RIBES, CLEMATIS, Allium, Passiflora, Alchemilla, and Acanthus drawn with an H pencil by observing the negative spaces be ...
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Acanthus Spinosus As we LOOK AROUND, our eyes travel and adjust from one point of focus to another, gathering less distinct info ...
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Architecture VICTOR BALTARD French architect employed by the city of Paris, Baltard designed the Church of St. Augustin, which w ...
Master Builders EVERY NEW BUILDING, embodying a massive investment of ideas, materials, and labor, marks the end of a long journ ...
Wire Sculpture of Guell Crypt c. 1900 ANTONIO GAUDI ANTONIO GAUDI Visionary Catalan architect. Gaudi's cathedral in Barcelona, c ...
ARCHITECTURE The Order of Sound BOTH OF THESE VISIONARY DRAWINGS occupy a slender, upright pictorial space. The architect and mu ...
ERIK SATIE French pianist and composer for the piano, theater, and ballet. Satie collaborated with his friends Jean Cocteau and ...
ARCHITECTURE Future Fictions THESE THREE HIGHLY DETAILED DRAWINGS invite us to enter the long-shadowed architecture of imaginary ...
ERICH KETTLEHUT Influential film art director; draftsman, and model-maker In the preparation of Metropolis, Kettlehut and his co ...
ARCHITECTURE Pathways of Sight LINEAR PERSPECTIVE (also called vanishing-point perspective) is a simple device for calculating t ...
SARAH SIMBLET I made this drawing (at age 8) in response to a local bookstore's request for children to draw their village. It s ...
ARCHITECTURE Single-Point Perspective MASTERING LINEAR PERSPECTIVE is easier than you may imagine. On the previous page we looke ...
5 Draw a new rectangle. Note that this does not surround the vanishing point In the future, when inventing your own compositions ...
ARCHITECTURE Creating an Imaginary Space THIS CLASS USES SINGLE-POINT PERSPECTIVE to create a simple imaginary room. It highligh ...
DRAWING A SIMPLE ROOM Essentials to remember: objects and people dimmish in size as they move farther away; parallel planes such ...
ARCHITECTURE Further Aspects of Perspective WE ARE ACCUSTOMED TO SEEING our environment from a relatively constant point of view ...
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