How to Read Chinese Poetry A Guided Anthology

252 t He F i v e Dy na s t i e s anD t He s ong Dy na s t y Wutong trees and 8 Third-watch rain are Unaware of separation throes ...

c i P oe t ry : s Hor t s ong ly riC s 253 tion words, contributes to the ci’s characteristic tendency to qualify its imagistic ...

254 t He F i v e Dy na s t i e s anD t He s ong Dy na s t y the voyeur’s gaze as the subject languidly rises, attends to her hai ...

c i P oe t ry : s Hor t s ong ly riC s 255 tion. Other conventional elements include the indifference of nature or heaven (speak ...

256 t He F i v e Dy na s t i e s anD t He s ong Dy na s t y 虞美人 (yú měi rén) spring flower autumn moon what time end 春花秋月何時了 ▲ ( ...

c i P oe t ry : s Hor t s ong ly riC s 257 ences to the homeland and changed human circumstances are easy to connect to Li Yu’s ...

258 t He F i v e Dy na s t i e s anD t He s ong Dy na s t y without strategy retain spring stop 無計留春住 ▲ (wú jì liú chūn zhù) tea ...

c i P oe t ry : s Hor t s ong ly riC s 259 4 Do what one may, blossoms will fall; As if we knew each other, the swallows come ba ...

260 t He F i v e Dy na s t i e s anD t He s ong Dy na s t y vice versa. In the manci, these shifts become more complex. Early li ...

c i P oe t ry : s Hor t s ong ly riC s 261 Samei, Maija Bell. Gendered Persona and Poetic Voice: The Abandoned Woman in Early Ch ...

The form of the song lyric discussed in chapter 12 is, as suggested by the Chinese term xiaoling, comparatively short and small ...

c i P oe t ry : long s ong ly riC s 263 The descriptive power of his song lyrics benefited most, however, from his under- standi ...

264 t He F i v e Dy na s t i e s anD t He s ong Dy na s t y ci writer herself, Li Qingzhao insisted on a rigorous identity of th ...

c i P oe t ry : long s ong ly riC s 265 八聲甘州 (bā shēng gān zhōu) face pattering pattering evening rain river sky 對瀟瀟暮雨灑江天 (duì x ...

266 t He F i v e Dy na s t i e s anD t He s ong Dy na s t y examples of leading words, the most important device that Liu Yong d ...

c i P oe t ry : long s ong ly riC s 267 the concluding segment (lines 17–18) opens with a multisyllabic leading phrase, “How cou ...

268 t He F i v e Dy na s t i e s anD t He s ong Dy na s t y level. While each strophic unit has its own center, all the units wi ...

c i P oe t ry : long s ong ly riC s 269 10 Going round the crimson hall, Creeping in through the decorated doorway 12 It shines ...

270 t He F i v e Dy na s t i e s anD t He s ong Dy na s t y carried not so much by the question itself as by the yearning postur ...

c i P oe t ry : long s ong ly riC s 271 Lying to the west of the old fort, it is said, 4 Is the Red Cliff, known because of Zhou ...