Music Listening, Music Therapy, Phenomenology and Neuroscience
Step 4: Sound as souch The sound of Sara’s breathing is crucial for the course of the session, and her gradual change from sharp ...
2.3.4. Kasayka (1991): To Meet and Match the Moment of Hope In her doctoral dissertation, Roseann Kasayka applies phenomenologic ...
Listening for semantic meaning These listenings focus mainly on the experienced connections of motion, dynamics and emotion. Th ...
ery experiences and the therapist’s additional comments. This is the basis for the following step. Step 4: Semantic In the seman ...
David: Inner Odyssey Brahms: Symphony No. 3, 1st mvt, Allegro con brio 10’23 Nielsen: Symphony No. 5, 1st mvt, Adagio (Excerpt) ...
tions, marked in italics. This means that Grocke’s phenomenological music descriptions represent the integrated outcome of sever ...
(^) 2.3.5.2. Grocke’s Structural Model of Music Analysis (SMMA) Grocke’s final task is to uncover the features of music that und ...
Reactions of therapist to music as process Including feelings and thoughts immediately after the session, and reflective commen ...
Edward’s penetrating and desperate cries evoke strong reactions in many listeners, including Fori- nash, her students, and the p ...
ries of her work have appeared in English in the form of articles (2003, 2005) and a book chapter (2007). Philosophical backgrou ...
Semantic step a) Description of musical structures in relation to the client’s comments, gestures and verbal metaphors, in orde ...
provisation. Steps 3, 4, 5 and 6 focused on the significant moments. Steps 7, 8 and 9 again took the entire improvisation and th ...
(1) Verbal phenomenological description of the music. (2) Auditory and visual analysis of the musical form, consulting the score ...
2.3.10 Summary of the phenomenological descriptions One article, Forinash (2000) indicates the value of a phenomenological appro ...
The phenomenological approaches in the summarized studies represent different variations of Fer- rara’s procedure, modified for ...
First level For level one, specifying the field of investigation, Ihde prescribes three rules of activity: Attend to the phenom ...
Visual phenomena and multi-stability In Experimental Phenomenology, Ihde has chosen to conduct phenomenological explorations of ...
Figure 2.2. Visual multi-stability: The hermeneutical strategy. (Ihde 1977:96) Reproduced by permission from Experimental Phenom ...
Experimental listening is based on performing phenomenological variations. It consists of conduct- ing a long series of repeated ...
A basic model for the practical progression of intensive listening in a class Listen. Listen once more. Talk together in pairs, ...
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