Music Listening, Music Therapy, Phenomenology and Neuroscience
The tutor’s listing of all comments and observations represents a phenomenological horizonaliza- tion, such as described by Cres ...
As a dialogue partner in the sessions of experimental listening, the author (EC) invited Lise Chris- tensen Bjerno (LCB), a rela ...
2.4.3.1. First investigation. Bartok: An Evening in the Village (2’47) For full descriptions of all listenings, see appendix 2.0 ...
Listening strategy LCB and EC listened to Bartok in two sessions, 17th and 24th August, 2011. The first listenings benefited fr ...
Hermeneutical Sensory integration and embodiment: Physical impact of sound. Context-related descriptions: Associations: cultures ...
Experimental listening LCB and EC listened 28 times to the Webern piece. For full descriptions of all listenings, see appendix ...
2.4.3.3. Third investigation. Coleman Hawkins: Body and Soul (3’00) This jazz recording comprises two 32-bar choruses. The descr ...
Listening strategy After the first open listenings (No.1-2) it was necessary to discard any preconceived plans for the listenin ...
2.4.3.4. The outcome of the listening project Procedure The sessions confirmed the utility of the procedure: Preparation Partic ...
Spatial-temporal focus General question: Listen for contrasts. Listen for climaxes. Movement, form: Listen for movement and sust ...
Temporal focus Flow and continuity Listen for coherence and continuity versus interruptions, pauses, silences. Listen for free f ...
Emotional qualities: Listen for mood in the music. Listen for expression and emotion in the music. What feelings does the music ...
2.4.4. Discussion of the experimental listening project Can the experimental listening project be considered an adequate phenome ...
specific differences could appear in the music-focused listenings, such as spatial visualization in two dimensions versus three ...
Some conclusions Altogether, the listening project appears to constitute a reasonably adequate phenomenological in- vestigation, ...
Uncovering and description of the expressive, structural and formal qualities which render a particu- lar piece of music fruitfu ...
Chapter 3. The Neurosciences and Music – The outcome of four conferences: The outcome of four conferences: Venice 2002, Leipzig ...
Figure 3.1. The lobes, sulci and gyri of the brain. The figure shows the surface of the left cerebral hemisphere. The brain lobe ...
MMN: Mismatch Negativity in an event-related response, which is measured by EEG. The MMN response is elicited when a rare devian ...
entists not to ignore critique from humanist communities, and encourages the continued interaction between musicians and scienti ...
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