Speculative Taxidermy
PLATE 8. Maria Papadimitriou, AGR IMIK A, 2015. Courtesy T.A.M.A Temporary Autonomous Museum for All and the artist. © Papadimit ...
PLATE 9. Nandipha Mntambo, Umfanekiso wesibuko (Mirror image), 2013. Cow hide, resin. Left: 25 63/63 × 66 59/64 × 63 25/32 in; 6 ...
PLATE 10. Berlinde De Bruyckere: K36 (The Black Horse), 2003. Horseskin, wood, iron, PU-foam. 295 × 286 × 158 cm. Collection Pei ...
PLATE 11. Steve Bishop, It’s Hard to Make a Stand, 2009. Fur coat, polyurethane, polythene, mirrored acrylic, wood. 215 × 196 × ...
PLATE 12. Cole Swanson: “Swarm” (2015), from Out of the Strong, Something Sweet. Dean Palmer Photography. Exhibition curator Daw ...
FOLLOWING MATERIALITY181 BODY POLITICS AND THE SURREALIST ASSEMBLAGE “What is particular to the surrealists,” Malt claims, “is ...
182FOLLOWING MATERIALITY MONOGRAM AS SPECULATIVE TOOL It was during the late 1950s that the crisis of materiality and surfaces ...
FOLLOWING MATERIALITY183 resolves in the acknowledgment that animals remain inaccessible to us. This is the most frustrating as ...
184FOLLOWING MATERIALITY raft is covered in paint, fragments of wood, paper, cardboard, newspaper articles, prints, and traces ...
FOLLOWING MATERIALITY185 modern culture.”^73 In general, these readings have been informed by Rauschenberg’s own tendency to in ...
186FOLLOWING MATERIALITY seriously. Classical art has trained us to think allegorically—symbolism became the quintessential man ...
FOLLOWING MATERIALITY187 All the symbolic readings of Monogram that have been presented in this chapter implicitly subjugate th ...
188FOLLOWING MATERIALITY many artists and scholars, and that will be explored in the next few chap- ters.^82 However, the ontol ...
FOLLOWING MATERIALITY189 tologically flattened manner, different and compromised forms of repre- sentation, from a long-awaited ...
190FOLLOWING MATERIALITY identified by Fried in relation to the theatricality of minimalist art was that the embodiedness of th ...
“Things” are no longer passively waiting for a concept, theory, or sover- eign subject to arrange them in ordered ranks of objec ...
192THE ALLURE OF THE VENEER installations, but a painstakingly accurate transposition of a shop origi- nally situated in the Gr ...
THE ALLURE OF THE VENEER193 importantly, it is the assemblage the objects form to engage the viewer in a series of consideratio ...
194THE ALLURE OF THE VENEER collisions between objects (cotton being burned by fire, for instance) “must be treated in exactly ...
THE ALLURE OF THE VENEER195 are piled on the floor, and some others appear in three-dimensional form, as taxidermy mounts. The ...
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