Speculative Taxidermy
128DIORAMAS hunt (fig. 3.7). Decorum constituted a pervasive and yet extremely subtle anthropomorphization that reassessed for ...
DIORAMAS129 clarifying the animal on grounds of a prescribed and formulated discursive truth, thus fulfilling a precise and ess ...
130DIORAMAS on classical art exclusively. It is therefore this contingency, among others, that granted classical art a lease of ...
DIORAMAS131 audiences’ imagination.”^86 Subsequent exhibitions that took place in 1871, 1886, and 1887 also contributed to the ...
132DIORAMAS between the “real” and the “fake” is exacerbated by the photographer’s disentangling of the image from any museolog ...
DIORAMAS133 At roughly the same time that Diane Fox began to focus on reflections upon the glass of dioramas, Oleg Kulik, perha ...
134DIORAMAS in which we see ourselves reflected. As in Mark Dion’s Landfill, decorum is here the key element upholding the illu ...
DIORAMAS135 from the Garden of Eden. Kulik might not directly propose practical answers to how a different “becoming worldly” m ...
Guns have metamorphosed into cameras in this earnest comedy, the ecology safari, because nature has ceased to be what it had alw ...
THE END OF THE DAYDREAM137 the viewer’s panoptic gaze structured essentially objectifying human/ animal relations. This conside ...
138THE END OF THE DAYDREAM human—just think of Deleuze and Guattari ’s becoming animal as an op- portunity for reconfiguring an ...
THE END OF THE DAYDREAM139 but it acknowledges the distinct existence of something out there. This something exists beyond our ...
140THE END OF THE DAYDREAM envelop. The deceit of the senses that they operate plays out exclusively upon their surfaces. Some ...
THE END OF THE DAYDREAM141 highlight the importance that any conception of realism plays in defin- ing human/animal relations. ...
142THE END OF THE DAYDREAM termed the birth of man, as the essential moment in the history of hu- manity, is the result of “the ...
THE END OF THE DAYDREAM143 of animal and plant surfaces through a process of synthetic purification.^20 Through the modern age ...
144THE END OF THE DAYDREAM Berger’s “day-dream” provides a model that ultimately capitalizes on the viewer’s affirmation, typic ...
THE END OF THE DAYDREAM145 more recently gained international notoriety. Her professional success is due to the fact that Horn, ...
146THE END OF THE DAYDREAM diptychs directly question anthropocentric systems of knowledge: they subvert the naturalized proces ...
THE END OF THE DAYDREAM147 as will be seen, it is the doubling of Horn’s image that constitutes the truly nonaffirmative elemen ...
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