Speculative Taxidermy
148THE END OF THE DAYDREAM realism of classical art. It proposes an original model that hinges the rep- resentational plane to ...
THE END OF THE DAYDREAM149 FOUCAULT’S TAB LE AU - OB J E T AND THE EVENT Two more concepts from Foucault’s analysis of art will ...
150THE END OF THE DAYDREAM outlined. The most important aspect of Foucault’s tableau-objet is there- fore that it turns the inh ...
THE END OF THE DAYDREAM151 sions of all the works of art that will become central to the next chapters. Considered together, th ...
152THE END OF THE DAYDREAM famous painting The Treachery of Images, from 1926.^46 More specifically, it relates to the tautolog ...
THE END OF THE DAYDREAM153 tude: a juxtaposition typical of repetition—but if Magritte proposed a double troubling of realism, ...
154THE END OF THE DAYDREAM that challenges the viewer to provide a seemingly impossible resolution.^50 Owls are nocturnal preda ...
THE END OF THE DAYDREAM155 step that substantially influenced the production of affirmation in photo- graphic representation du ...
156THE END OF THE DAYDREAM a classifiable world, which transcended class and language barriers.^55 In 1926, the famous taxiderm ...
THE END OF THE DAYDREAM157 copy. Photographing and displaying the same mount multiple times pro- duces copies of copies with no ...
158THE END OF THE DAYDREAM the animal head 180 degrees away from the viewer. This operation is de- signed to subvert anthropoce ...
THE END OF THE DAYDREAM159 these birds, would they look distinctive from each other or not? And is it perhaps this aesthetic re ...
160THE END OF THE DAYDREAM In “The Death of the Animal: Ontological Vulnerability,”^62 Kenneth Shapiro identifies two different ...
New Materialist ways of thinking accordingly challenge traditional dis- tinctions between human and non-human, as well as classi ...
162FOLLOWING MATERIALITY Picasso exclaimed that “anything could be covered in fur!” which prompted Oppenheim’s response: “Even ...
FOLLOWING MATERIALITY163 influence that Freudian theories undeniably had on these artworks, it is also important to remember th ...
164FOLLOWING MATERIALITY historical gaze, far too quickly, defaults on the anthropocentric games played upon the symbolic regis ...
FOLLOWING MATERIALITY165 Pushing aside the transcendentalism of the symbolic register can thus reveal that Oppenheim’s teacup a ...
166FOLLOWING MATERIALITY work, Cézanne’s constitutes a new rupture in the production of painting as agency-imbued object in the ...
FOLLOWING MATERIALITY167 terial for it.”^10 Nonetheless, Cézanne provided the possibility for a de- parture: the opportunity fo ...
«
4
5
6
7
8
9
10
11
12
13
»
Free download pdf