African Expressive Cultures : African Appropriations : Cultural Difference, Mimesis, and Media
26 african appropriations through alleged parodist sculptures, as Julius Lips assumed in his study The Savage Hits Back (19 37). ...
introduction 27 highlighting the fact that the human desire to mediate cultural difference through mimesis is certainly not limi ...
28 S The Wicked Major EMBODYING CULTURAL DIFFERENCE 1 I t wa s g e t t i ng close to midnight when the musicians finally intoned ...
the wicked major 29 than 300 people. Soon some of the mediums began to yawn. With trem- bling bodies and bulging eyes, groaning ...
30 african appropriations shook hands and someone translated the greetings the spirits had uttered in corrupt Hausa, Kafaran ord ...
the wicked major 31 regaining control over his body, the medium, a young man called Isa, inspected himself and the scene around ...
32 african appropriations the pantheon of bori spirits early on, they acted according to the logic of a typical cult of afflicti ...
the wicked major 33 Nothing is known about the immediate context in which this happened. It is also unclear why Shibo, daughter ...
34 african appropriations symbol of colonial rule and who died in March 1927, and the assault on the military post of Tessaoua i ...
the wicked major 35 Ivory Coast, where Shibo was to return to Kurfey only after nine years (Echard 1992; Fuglestad 1975). Though ...
36 african appropriations refusal to lend one’s body to forced labor, and the audacity to “openly de- clare that the rifles [of ...
the wicked major 37 in the fields and organized their communities according to the model of the colonizers, borrowing military r ...
38 african appropriations an important tool of kinesthetic learning and understanding. She argues that among the Arewa and Kurfe ...
the wicked major 39 cosmology of the Dinka and therefore conceptualize the Babule as images of passiones, as ritual representati ...
40 african appropriations during numerous séances, the new spirit, speaking through the mouth of its medium, and the nonpossesse ...
the wicked major 41 applies equally to the relationship between staged performances, such as drama or spirit possession, and rea ...
42 african appropriations while possessed; it serves as proof that the mediums are indeed possessed and not just pretending (and ...
the wicked major 43 world, the ‘religion of the force,’ which—born in a tiny village of Niger— has found its true terrain in the ...
44 african appropriations “I don’t care about the Hauka. Sometimes I say that the Hauka do not exist and that I am not part of ...
the wicked major 45 mediums who did not enter the trance during the ritual, and tells him: “Moukayla, the feast was great this y ...
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