Artists Back to Basics - Issue 6 Volume 3 2016

FULL OF TIPS, IDEAS AND TECHNIQUES PENCILS DOWN BRETT A JONES SPECIAL BUYER'S GUIDE EASELS WATERCOLOUR INSPIRATION ELLEN LEE OST ...

Phone: 02 4722 2260 Fax: 02 4733 8583  @ PO Box 8035 Glenmore Park NSW 2745 [email protected] READY TO PAINT SERIES POST CALL ...

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T he team at Artist’s Back to Basics is always striving to provide you with new techniques and ideas to help to develop your art ...

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Cover image by: Linda Robinson ontentontent Issue No.6-3 2016 PENCILS DOWN WITH BRETT A JONES 18 Drawing with big lumps of colou ...

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with Glenda Cornell “I love it, and I haven’t finished looking at it yet” The journey of an artwork isn’t in the finished work; ...

before coloured photography was popular. She was very gracious with her time and knowledge, and I was about 11 and decided then ...

the pleasure of meeting, and I was also fortunate to spend an afternoon with the late Darcy Doyle in his home on the Gold Coast ...

finished work; it is in the process and pleasure one receives along the way. I guess my career as an artist started by painting ...

I am able to teach in all mediums and styles. I just love passing on the knowledge I have learnt over the years, and the classes ...

Gallery, Daylesford, where I went to school, plus four solo exhibitions in galleries in country Victoria. Art is when the creato ...

Murray’s Mill Picola Using a 20 year old photograph, the artist created a working mill (which is now closed) on the edge of the ...

I love the subject as it is so familiar to me as this is the history of the area, when wood cutting and milling were the lifeblo ...

painting to make sure I am creating a sense of depth so the patterns will work and the drawing reads well. STEP TWO I introduce ...

covered the whole canvas; I then go back into areas and tidy up and adjust. I work from top to bottom. STEP SIX I readjusted som ...

“Drawing with Big Lumps of Colour- Part 1” by Brett A. Jones 2 B graphite will always be my abiding obsession, but pastels are r ...

just figure out what it wants to do and go with it. There was always going to be a lot of methods and processes dragged straight ...

always stay there until the particular freehand work in pastel concerned is completely finished. By then they are all pretty muc ...