Contemporary American painting and sculpture

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Duringthepastthreeyearsthebiographicalsectionhasdevelopedinto anopenforumtowhichalltheexhibitorsareurgedtocontribute.Our policyh ...

161 ABADI,Fritzie,Island, 24 x36. "Usually,whenIstarttopaint, 1 havenopreconceivedideaofwhattheresuh willbe.InthepaintingoftheIs ...

162 Since 1936 Adlcrhastaughtdrawingandpainting,andfrom 1948 tothepresent hehasbeenaninstructorinFineArtsatNewYoricUniversity,bo ...

163 ofAppliedArtinEssen(1916-1919),atoneoftheacademiesoftheartsinMunich (1919-1920),andattheBauhaus,Weimar(1920-1923).In 1923 he ...

164 teachingshaveoftenbeentwisted,likethefacesinsomeofmypictures.Byinten- tionallyemployingthegentleandthegrotesqueinthesamepict ...

165 "Ibelievethattoarriveatasortofuniversalmetaphor—andstilltocommuni- catewithcompleteself-expressioninpaint—theartistmustappro ...

166 HaroldBaumbachwasborninNewYorkCityin1904.Forashortwhilehe studiedatthePrattInstituteArtSchoolinBrooklyn,NewYork.Atonetimehe ...

167 UniversityandtheAmericanAcademyofArtinChicagobutreceivedthemajorpart ofhiseducationinartattheArtInstituteofChicago. Hisworic ...

168 YorkCity,in1949,andalargemuraldecorationfortheVirginiaStateLibraryin Richmond(1951).Binford'spaintingsformpartofthepermanent ...

169 Highroadofthe West(1943) andforsomeprivatelyprintedpoems,andisthe authorofabookentitledGouache. Collectionswhichpossessworkb ...

170 museumsarrivedatakindofpattern-makingperiodintheirwork.Thishasresulted inproductionofeye-stimulatingdecorativeworkwhich,beca ...

171 themeareshownbythebreakingupofareasofdancingnotesofvibrantcolor,which givesthesensationofinanimateobjectsplayingwitheachothe ...

172 worldoflegendaryromance.InpaintingthiscanvasIhavetriedtopreserveanew aspectofrhythmandsurprise.ToavoidthesuperficialIhavecon ...

173 BRACKMAN,Robert,StillLifeinGray, 28 x36. Illustration—Plate 11 1 Inmakingopeningremarkstooneofhisclasses,Brackmanstatesthatb ...

174 BROOKS,JamesD.,No.44,33'/2x59. Illustration—Plate 51 "Mypaintingstartswithacomplicationonthecanvassurface,donewithasmuch spo ...

175 1923.ShestudiedattheSladeSchoolofArtinLondon.TheEdwinAustinAbbey AwardforMuralPaintingisamongherachievements.One-manshowsbeg ...

176 andfeltandknownismadebothsingular:clear,andmultiple:general.Thisistome boththeparadoxandthereasonofpainting.Thevoidiseloquen ...