Contemporary American painting and sculpture

177 worldmaybeasimportantlymanifestedbytheideaofapaintingasbyitsformal structuralorganization.Whenapainting'clicks'or'works,'ide ...

178 wasconnectedwiththeFineArtsSectionoftheWorksProgressAdministrationin 1936.HewonanawardintheMuseumofModernArt's"ArtistasRepor ...

179 tionsofseveralinstitutions,amongthemtheMetropolitanMuseumofArtinNew Vorlv;PennsylvaniaAcademyoftheFineArts; BrooklynMuseum;A ...

180 Andafewdayslater,theimagesuddenlybecameconsciousandwaspaintedin 2 hours. "Itisformcthewholespringflushofdawninthattcnderestp ...

181 enamelsurfacesalmostasabas-relief.ThereforeIpaintonwoodoranyhardsurface. Ipaintalwaysfromblacktolightsasthatseemstheobviousp ...

182 "WhileStructuresconveysthefeelingoftheheartofLowerManhattanopened uptotheclean,briskfacadesofthenewercitybelowwhichcirclethe ...

183 DAVIES,Kenneth,TheBlackboard, 20 x26. Illustration—Plate 86 "Inmyopinion,a'tronipe-roeil'paintingismosteffectivewhenitsdepth ...

184 AfteremptyinghispocketsoftheassortedArtIconsandSacredRelics,wellem- balmedinDainarVarnish,Wax,andStandOil,hewillsellthefello ...

185 aretobeseeninRadioCityMusicHall,NewYork;radiostationWNYC;andat IndianaUniversity.Hewasemployedonfederalartprojectsfrom 1933 ...

186 Hartford,Connecticut;WalkerArtCenter,Minneapolis;PhiladelphiaMuseumof Art;PennsylvaniaAcademyoftheFineArts;CarnegieInstitute ...

'187 SpringsFineArtsCenter,1938-1945;SouthernMethodistUniversity,1945-1948;and hasbeenguestinstructorelsewhere.Since 1945 Dozier ...

esthetic,social,politicalorphilosophical,inhispresentenvironment.Man'sstruggle forhumandignityisoneofthemostdramaticsourcesforar ...

189 willneverbeinasituationwherehehasnothingtospeakabout.Alsoitisnotneces- saryalwaystoportraygreatevents,characters,orcalamitie ...

190 dramaticfeeling,thedarkbroodingofmelancholy,aswellasanallembracing,yet hesitatingglowofoptimism. "Imadeanattempttosochoosemy ...

191 In 1946 hewonFirstPrizeattheCarnegieInstituteandin 1950 oneofhis picturesreceivedapurchaseprizeattheUniversityofIllinois.Rec ...

192 FULLER,C.Sue,StringConstructionNo.30, 24 x36.Illustration—Plate 73 SueFullerwasborninPittsburgh,Pennsylvania,in1914.Shewasgr ...

193 GLARNER,Fritz,TondoNo.21,48i/2(diameter) . Illustration—Plate 3 "Apaintershouldneverspeakbecausewordsarenotthemeansathiscom- ...

194 exhibitionattheCorcoranGalleryofArtinWashington,D.C.,inthesameyear; aprizeinoilsatthefirstOldNorthwestTerritoryExhibitionatS ...

195 andelaboratesketches.Whenitcomestothefinalcanvas,Imustthereforeavoid beinganenlarger.SofarasIhaveasystemforavoidingthis,itis ...

196 respondtolifeinalmostanyform;therearcnoboundariesoftimeandspace.A greatworkofartembodiesalltheseelements;itisnotonlyexecuted ...