Music: An Art and a Language
Goethe, eulogy on Mozart, 112. Gogol, 314, 320. Gosse, Edmund, comment on Mallarmé’s eclogue, 293. Gossec, as a pioneer in Sonat ...
Chapter 52 H habañera, 76. Habets, Alfred, account of Borodin and Liszt, 316. Hadley, Henry, 329. Hadow, W.H., 72, 81, 92, 96; S ...
Harmonic Series, 51. Harold in ItalySymphony, analysis of, 214-215. Haydn, 21, 81, 87; ancestry, 101; features of style, 101-105 ...
Holbrook, 329. Holmès, Augusta, 280. homophonic, 10. hornpipe, 75. Hull, Eaglefield, Biography of Scryabin, 326. Huneker, Life o ...
Chapter 53 I Impromptusof Schubert, 165-166. Indian Suite, 80. invention, 11. Invention in C major, analysis of, 38-89. inversio ...
Chapter 54 J Jadassohn, Canonic Pieces, 37. James, Henry, essay on George Sand, 189. Jannequin, descriptive pieces for voices, 1 ...
Chapter 55 K Kaiser Quartet, 87. Keats, quotation apropos ofFifth Symphony, 148; quotation from, 163. Kelly, E.S.,Chopin the Com ...
Chapter 56 L Lalo, Eduard, works and features of style, 256. Laloy, Louis, Life of Chopin, 198; essay on Debussy, 294. Laparra, ...
analysis of Symphonic Poem,Orpheus, 221-222; ofFaustSymphony, 223-226; pianoforte compositions, 226-227; alleged influence on Br ...
Chapter 57 M MacCunn, Hamish,Scottish Melodies, 28. MacDowell,Rigaudon, 79; Indian Suite, 80, 329. madrigal, 69. Maeterlinck, co ...
masculine ending, 57. Mason, D.G., 7, 9; essay on Haydn, 102; on Mozart, 112; comment on Chopin’s style, 196; essay on Berlioz, ...
modulation, 51-52. Moments Musicauxof Schubert, 165-166. Montagu-Nathan,History of Russian Music, 314, 326. Monteverde, 119. Mor ...
Chapter 58 N National Music, distinctive features of, 300-301. Neefe, Beethoven’s teacher, 124. Neue Zeitschrift für Musik, foun ...
Chapter 59 O Organ, the, its tone compared with that of pianoforte, 191. organum, 10. Orpheus, Symphonic Poem, analysis of, 221- ...
Chapter 60 P Paderewski, 77; Minuet of, 78; playing of Mendelssohn’s pieces, 185. Paganini, connection with Berlioz, 214. Paine, ...
pedals of the pianoforte, the damper and the una corda, 192-195. Peer GyntSuite, 80. period, definition of, 50. Pérotin, 34. Per ...
Pushkin, 314. ...
Chapter 61 Q Quilter, Roger, 329. ...
Chapter 62 R Rabelais, his humor compared with Beethoven’s, 150, 157. Rameau, acoustical reforms of, 23, 70, 74, 81, 85; descrip ...
rigaudon, 75; examples of, from Grieg, Rameau and MacDowell, 79, 81. Rimsky-Korsakoff, works and features of style, 317. Roi d’Y ...
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