The Structural Conservation of Panel Paintings

worked for him, as seen in some Holbein paintings Eigner treated. In 1865 Eigner restored the so-called Madonna in the Strawberr ...

paintings, that quality U.S. products were preferable, and that only high-quality chipboards should be used for reinforcement (W ...

Straub prefers an adhesive type that is water- and mold-resistant. He emphasizes casein glue over animal glues and discusses all ...

pointed out that in both directions of the wood grain, tensions in the wood caused by these wooden blocks had the same deleterio ...

toluene, chalk, and sawdust were combined to make a filling material (Brachert 1955b:30), or sawdust was mixed with cellulosic n ...

recommended about 1920 but were rejected in the 1950s (Basch-Bordone 1921:10; Wolters 1952:5). Loose wooden boards, glass plates ...

sive enough, or the remaining wood from the original support was too “lively.” The next treatment to be adopted was total transf ...

1 Unless otherwise indicated, all translations are by the author. Cellosolve,Fisher Scientific Co ., P.O. Box 12405, St. Louis, ...

Bünsche, B. 1984 Fugensicherung und Stabilisierung an mittelalterlichen Holztafelbildern. Beiträge zur Erhaltung von Kunstwerken ...

Hermesdorf, P. F. J. M. 1953 Joining loose members of panel paintings. Studies in Conservation 1(2):87–91. 1963 Ein neues Verfah ...

Kurer, B. 1988 Ein Vergleich von drei Restaurierbüchern aus der ersten Hälfte des 19. Jahrhunderts. Diploma thesis, Schule für G ...

Rudi, T. 1996 Christian Philipp Köster (1784–1851): Maler und Restaurator. Monographie mit kritischem Oeuvreverzeichnis. Doctora ...

1984 Tafel und Tüchleinmalerei des Mittelalters. In Reclams Handbuch der künstlerischen Techniken,vol. 1, 125–260. Stuttgart: Re ...

Wolters, C., ed. 1952 Zusammenfassung der auf die Rundfrage der Bayerischen Staatsgemäldesammlungen vom März 1952 eingegangenen ...

T     to describe the techniques used to conserve panel paintings in Britain from the seventeenth century t ...

an altarpiece or a devotional painting was hidden or lost. Such a circum- stance had the added benefit of delaying the painting’ ...

made up of horizontally aligned planks and measuring 129 3 180 cm, was commissioned by Elizabeth I and presented to her ambassad ...

and Humanity(Glasgow Art Gallery and Museums), painted on a mahogany panel measuring 127 3 197 cm, had originally been heavily b ...

and went on board the Prince of Wales fine Barge, Lately built under the Direction of Lord Baltimore; and being attended by the ...

In his publication of the inventory prepared for Charles I by Abraham van der Doort, Millar published some of the earliest remar ...