The Structural Conservation of Panel Paintings

surface deposits of such resins from treated wooden objects after the poly- merization reaction was complete (Unger, Reichelt, a ...

however, it is not a practical method except in the most unusual circum- stances. Parallel samples were used to extract the wood ...

Wood-based panel products are often found among the supports for paint- ings of the twentieth century. In particular, these incl ...

Barclay, R. 1981 Wood consolidation on an eighteenth-century English fire engine. Studies in Conservation26(4):133–39. Bockhoff, ...

Klim, S. 1990 Composite wood materials in twentieth century furniture. In Wooden Artifacts Group Preprints, Richmond Meeting. Wa ...

Schaffer, E. 1971 Consolidation of softwood artifacts. Studies in Conservation 16(3):110–13. 1974 Consolidation ofpainted wooden ...

Terziev, N., J. Boutelje, and O. Söderström 1993 The influence of drying schedules on the redistribution of low-molecular sugars ...

History of Panel-Making Techniques PART TWO ...

110 T   surveys the techniques used in the making of the wooden supports of panel paintings in central Italy betwe ...

Know that there ought not to be less time spent in learning than this: to begin as a shopboy studying for one year, to get pract ...

underwent a modernization. This was undertaken not only to repair dam- ages but in many cases to adapt the works to the requirem ...

H O  P-M T  C I 113 penter specific dir ections, even on subjects relating to th ...

species, each having its own individual technological properties.” The conservation and behavior of a wooden support during its ...

H O  P-M T  C I 115 autonomy led artists and artisans involved in panel painting ...

116 Uzielli However, in many cases no specific ar rangement according to growth rings can be observed. Boards with “inner” faces ...

H O  P-M T  C I 117 Seasoning Anybody knowledgeable on the subject (see, for exa ...

118 Uzielli unheated) in central Italy might have been 12–16% (corresponding to typi- cal air temperatures of 0–30 °C and relati ...

H O  P-M T  C I 119 thickness (35–40 mm), possibly required by their size and th ...

120 Uzielli movements, in spite of the cleats, severely damaged the ground and paint layer in areas that correspond to the conne ...

Madonna del Baldacchino (Fig. 14); for the purpose offitting it in a different location; or to satisfy different aesthetic canon ...