The Poetry of Mary Robinson: Form and Fame
188 The Poetry of Mary Robinson July 1800. But the chief responsibility for filling that space rested on Robinson’s shoulders, s ...
Stuart’s Laureates I 189 their contributions to Stuart via the post. Furthermore, Stuart does not to seem to have printed unsoli ...
190 The Poetry of Mary Robinson that appeared in the spring of 1798, at the start of Southey’s official appointment, and which w ...
Stuart’s Laureates I 191 newspaper The Express and Evening Chronicle on 9 January 1798. There, “The Apotheosis, or the Snow- Dro ...
192 The Poetry of Mary Robinson The events that follow show that Southey actually replaced her as a poetic correspondent. Around ...
Stuart’s Laureates I 193 Although he never mentions Robinson, Southey’s defense of Coleridge may be accurate: that is, it was no ...
194 The Poetry of Mary Robinson announced the paper’s higher standards for poetry, which appears to be a trumpeting of Southey’s ...
Stuart’s Laureates I 195 just around the time Wordsworth and Dorothy move to Grasmere). Coleridge becomes involved in writing le ...
9780230100251_06_ch04.indd 1969780230100251_06_ch04.indd 196 12/28/2010 11:08:55 AM12/28/2010 11:08:55 AM 10.1057/9780230118034 ...
Chapter 5 Stuart’s Laureates II: A Woman of Undoubted Genius She is a woman of undoubted Genius. There was a poem of her’s [sic] ...
198 The Poetry of Mary Robinson Southey’s Curse of Kehama to be “a work of great talent, but not of much genius”; he adds that C ...
Stuart’s Laureates II 199 Coleridge’s remark that Robinson “overloads every thing” certainly refers to her formal, technical ext ...
200 The Poetry of Mary Robinson Moreover, her own poetry reveals that she, like Coleridge, was inter- ested in the relationship ...
Stuart’s Laureates II 201 it more likely that Coleridge was charmed by the vivacity of Robinson’s mind and by his own assessment ...
202 The Poetry of Mary Robinson echo of the sense,” except for Coleridge’s emphasis on the poet’s ability to “artificially” manu ...
Stuart’s Laureates II 203 To Coleridge, Robinson’s “ear” is a metonym for her ability to cre- ate pleasurable sounds through the ...
204 The Poetry of Mary Robinson practices that are comparable with his own and which were shared by contemporary working poets, ...
Stuart’s Laureates II 205 Coleridge predicted as much when he reviewed The Monk in February of 1797 for the Critical Review. Whi ...
206 The Poetry of Mary Robinson drew her toward such formal innovation and extravagance. In other words, she cannot merely write ...
Stuart’s Laureates II 207 he or she partakes of its already established fame. Furthermore, this manner of reading such interpola ...
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