The Artist_s Magazine 2016-03__

March 2016 39 watch on a laptop (selections gravitated toward Disney movies). Solveig is an avid reader, so her nose was consist ...

40 http://www.artistsmagazine.com Adding Depth With a Mirror My thoughts went to the overall composi- tion of the painting and a ...

March 2016 41 a lighter color such as violet cut with white or orange.AttimesIaddedabitofMarsblack to reinforce the dark and sta ...

42 http://www.artistsmagazine.com same with her. I also worked on the mirror as Glenn or Yael posed ( 11 ). During sessions with ...

March 2016 43 ...

44 http://www.artistsmagazine.com From Maus to Superman, the art of the comic has come a long way. Completed in panels, the art ...

March 2016 45 IT USED TO BE THAT THE GR APHIC NOVEL and comic section of a library required stealthy browsing for those readers ...

46 http://www.artistsmagazine.com Association Michael L. Printz Award, a NationalBookAwardinalistandabookthat has more than 250, ...

March 2016 47 Padua is hardly unfamiliar with telling a story through art, even if Lovelace and Babbage is her i rst graphic nov ...

48 http://www.artistsmagazine.com opened the layouts into much bigger panels, using an ink wash to give it a ‘wetter’ look.” Ind ...

March 2016 49 Christianity, you were seen as a traitor. h e more I read, the more I felt the Rebellion embodied a tension betwee ...

50 http://www.artistsmagazine.com comic-book baby—Superman. An alien crash- landed on earth, integrated into society but still a ...

March 2016 51 it’s where we can imagine alternate versions of ourown,puttingthebookdown,attheend, to walk into a world made more ...

52 http://www.artistsmagazine.com ...

March 2016 53 Starting with a quick-drying underpainting and working with medium allow an alla prima painter to make “at once” l ...

54 http://www.artistsmagazine.com I AM A FAST PAINTER; I don’t paint with a slow build-up over many painting sessions. So am I o ...

March 2016 55 THE MANY ROLES OF LIQUIN Winsor & Newton Liquin is a petroleum solvent, not an oil. I use it as a paint medium ...

56 http://www.artistsmagazine.com outdoor lighting conditions in order to paint them convincingly later in the studio. The All-I ...

March 2016 57 for the background underpainting. If I want a warmer color, I add extra burnt sienna; if I want a cooler color, I ...

58 http://www.artistsmagazine.com don’t realize this. h ey may fail to play down or lose certain edges, making them all sharp. A ...