* omslag Between Stillness PB:DEF
“The Cinematic Turn in the Arts”section is devoted to three investigations of artistic strategies connected to the cinematic tur ...
nomenological and philosophical sense, this section explores a series of contem- porary pop videos and“software cinema”.In“Mutab ...
for exploitation and remained as raw“rushes”to be revived at a later time. The archive, according to Lundemo, was based on Kahn’ ...
Press Whitechapel,) andStillness in a Mobile World,eds. David Bissell and Gil- lian Fuller (London: Routledge,). . ”’L' ...
. Thomas Elsaesser, e-mail to the author, March. The citation from Alexander Galloway’s article“Notes on’Gaming’”(Oct, ...
Philosophies of Motion ...
...
The Play between Still and Moving Images: Nineteenth-Century“Philosophical Toys” and Their Discourse Tom Gunning Cinema is an ar ...
phenomenon exemplified the new attitude towards perception that Crary de- scribes. The way afterimages were described and the ro ...
vices I discuss here form a circular logic in which the devices are the cause of visual illusions as well as demonstrating their ...
was in sight, and the afterimage of this again lasted until the third came. The after- images were responsible for the fact that ...
ceptionEye and Brainsimplifies the situation and states that the continuous ac- tion as seen in a motion picture film“relies upo ...
ing their unreliability. According to Paris, the trick of the Thaumatrope lies not just in the hand, but lurks concealed in the ...
bot intones about motion pictures,“The illusion is wholly due to one glaring deficiency of the human eye, of which the utmost ad ...
But if we are aware of the act of twirling the Thaumatrope as a form of pro- duction, we are also aware that it produces only an ...
light falling on the change of the images is interrupted, and the eye receives only a momentary visual impression of each separa ...
The apparatus...essentially consists of a cardboard disc pierced along its circumfer- ence with a certain number of small openin ...
One could see this pirouetting dancer as the origin of the optical moving image (in other words, as a continuous moving image pr ...
simply a technical history–is human perception being modeled on a mechan- ical explanation of a mechanical device (rather than e ...
the gap between them. The Phenakistiscope generated a new sort of image, an image that moved. The reader might observe that my t ...
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