* omslag Between Stillness PB:DEF
more truth is seemingly implied by the formal relationship between standstill and movement than in the exchange of words that is ...
the police giving chase, attempts to escape the fiction. In the final tense scene, he suddenly turns to face the audience, asks ...
suddenly wipes the spit onto the overly-made-up face of his girlfriend Hanni. She leaves the visual field with her makeup smeare ...
universe”, that is the productive power of a filmmaker. From this standpoint, we can say that in Fassbinder’s films at issue is ...
. See Mary-Ann Doane,“The Close Up: Scale and Detail in the Cinema”,Differences: a Journal of Feminist Cultural Studies, no. ...
The Temporalities of the Narrative Slide Motion Film Liv Hausken The Mexican director Jonás Cuarón’s first feature filmAño Uña(Y ...
Slide-Motion Film In his dictionary with the pretentious titleThe Complete Film Dictionary(), Ira Koningsberg uses the term“ ...
quisitely elegant way without explaining what they can tell, instead creating relations between characters, composing small sequ ...
audience about what the pictures show (this is a theme inSolvorn, and more enigmatic inKarins Ansikte). Año Uñadoes not present ...
ker’s film does not seem to fit Koningsberg’s conception of the slide-motion film. La Jetéeis presented as a“photo-roman”, a pho ...
moments and characters are real,”and finally:“Only the story is fictional.” Thereafter, we get the first ordinary film image, a ...
La JetéeandSolvorn, and arguably, it is also important for the understanding of the aesthetics ofKarins ansikte. So, I will sugg ...
ship in many ways, Diego is able to cater to her needs where a string of argu- ably even less suitable boyfriends could not. B ...
cussions of narratives about actual events, transforming actual people into char- acters. In fiction, the distinction between pe ...
tion. Thus, the tension between the static and the unfolding in thevisualdimen- sion of this narrative slide motion film may, in ...
over, inAño Uña, as in most slide-motion films, the sound of the voice-over contributes to the production of a continuously unfo ...
The Temporality of the Narrating Voice The voice-over’s production of pastness is normally threefold: The conventional experienc ...
cally appearing black-and-white still pictures. These are mainly sequences of freeze-frames, sometimes combined with photographs ...
the camera, and hear the voice-over state:“My name is Thomas Munene. I am years old.” In festival programs and short film over ...
thing or someone looked like and contemplation (reflection), and therefore also distance to what is seen. If the footage appears ...
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