* omslag Between Stillness PB:DEF
graphy and cinema have to be re-thought in terms of particular historical“ima- ginaries”, rather than being defined by specific ...
tion”, the other focused on the moment; one external and impersonal, the other subjectively inflected with anticipation and bore ...
Here, then, lies the task for the museum, as it comes to terms with time-based art increasingly supplementing if not substitutin ...
After“Photography’s Expanded Field” George Baker In what follows, I would like to do at least two things that my essay“Photogra- ...
years, the artist visited and re-visited the town, setting up a portrait studio where she created images of the local children, ...
graphs are to be understood as fictions or as documents, whether they engage in performative acting or testify to an unselfconsc ...
was playing or practicing. However, Lockhart’s images were arrived at only after the girls chose favorite sports photographs of ...
It has gradually become apparent that these early portraits take an opposite, but linked, approach to that evidenced in a series ...
And many ofPine Flat’s filmed scenarios seem to follow closely from Lock- hart’s enigmatic family images, with pairs and trios o ...
Stand-in for Ben Gazzara, Los Angeles, California, March,. The result is im- mensely confusing, and yet intensely auratic: ...
Music was included inPine Flatas well, where an intermission linking the two halves of the film was filled with the sound of a y ...
upon itself, a return of cinema to its photographic pre-history, and in this turn backward the film begins to attune itself to i ...
once said about ruins, this vision of youth portrays its subjects as“merging” into their surroundings. Lockhart achieves this in ...
haps also with our own. The project embodies a literal nostalgia, a seeming resurrection or retrieval of youth, of childhood, of ...
the very modality of longing: it is the voyage home that never reaches its desti- nation, the intimate approach that will never ...
. Michael Fried,Absorption and Theatricality: Painting and Beholder in the Age of Diderot (Chicago: University of Chicago Press ...
...
OnO O:MovingImagesandtheNew Collectivity Ina Blom Part One: Cinema and Automatism Recontextualized (Report on a Reversed Fil ...
Fig.. Tobias Rehberger,On Otto, poster,. Courtesy Fondazione Prada, Milan II To reiterate: The poster was actually the poin ...
emerging in terms of specifically cinematic materials, agents and ways of doing. To traceOn Otto’s production process is then no ...
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