* omslag Between Stillness PB:DEF
However, I would maintain that reexamining the experience of the moving image, even in these devices, need not be limited to thi ...
io, maintained by many to this day, the eye is deficient and weak, while the machine is powerful. As Mary Ann Doane emphasized ( ...
vision as a rhetorical heuristic it reflects the distrust, and indeed pedagogical discredit of the senses that much of film stud ...
. Frederick Talbot,Moving Pictures: How They are Made and Worked(London: J.B. Lip- pincott Co,), p. . Hugo Munsterberg,Th ...
...
Digital Technics Beyond the “Last Machine”: Thinking Digital Media with Hollis Frampton Mark B.N. Hansen A Digital Frampton? In ...
lifelong interest a filmmaker like Hollis Frampton displayed in different media platforms and in the juxtaposition and interpene ...
how things looked, how things worked, how to do things...and, of course (by example), how to feel and think.”With radar–and sub ...
We can now understand just how limiting and indeed how misguided were the terms on which an earlier generation of critics (one t ...
singled out how cinema is characterized by Bordwell and Thompson in their Film Art, the most popular and, arguably, the best int ...
regime of movement-images among others, itself instantiates, specifies, and ar- tifactualizes a more general operation of moveme ...
vious or anterior states, we could say that through a moving image, the process of motion is projected onto us. Undergirded by t ...
insubstantiality of the cinematic image (but couldn’t we question Metz’s as- sumption that the visual need be non-material?), an ...
is part of a larger domain of movement, what I propose to call movement-varia- tion. Movement-variation can be understood as the ...
modulate duration. In selectionally transforming worldly movement-variation into movement-images, cinema exemplifies the potenti ...
ment; his main concern was mapping the imperceptible within movement’s conti- nuum....[In his experimentation with gases, Marey] ...
Georges Didi-Huberman felicitously calls“the dance of every thing”.No- where is this anti-cinematic impetus more consequential ...
Marey goes so far as to liken his mechanical instruments to“new senses of as- tonishing precision”, by which he means not techni ...
imperceptible to experience can be brought into the reference frame of experi- ence,but always only after the fact, in a percept ...
show, he dies, quietly in his sleep, unaware that he has completed his task...where- upon my friend wakens abruptly, to discover ...
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