* omslag Between Stillness PB:DEF
tion;) that cinema and photography cannot be, in the last instance, opposed, as they typically have been, for the simple and pr ...
untenable for the specific reason that it does violenceto the temporal dynamism specific to photography, and not just to the pri ...
Far from capturing the conjunction of reality and pastness (“that was”) that leads Barthes to his well-known melancholic meditat ...
About two-thirds of [theimages] exhibited the President’s face as a familiar icon of benignant, immobile blandness. But the re ...
Modulating Movement-Perception Generalized from this specific deployment, the temporal disjunction opened up by the photographic ...
one of which is cinema in its dominant, consciousness-miming form. The logic of the Dedekind cut also informs Frampton’s critica ...
Compared to(nostalgia), the scope of“memory”inCritical massis vastly condensed and enclosed upon itself: thus, rather than a pas ...
when technical syntheses are superimposed upon living ones. In stark contrast to the technical temporal objects Stiegler proffer ...
is confronted with situations where what is retained (the just-past of the present of experiencing consciousness) does not in fa ...
. For an example of this line of questioning, see D.N. Rodowick,The Virtual Life of Film (Cambridge, MA: Harvard University Pr ...
. Manning does suggest–in the mode of counterfactual speculation–that Marey’s work might have opened up a fundamentally differ ...
. I borrow this term from Christopher Phillips,“Word Pictures: Frampton and Photo- graphy,”October(spring:-, here. ...
sound cutting is slightly larger. Typically it’s about six frames (or a quarter of a second) larger than the image unit, which m ...
The Use of Freeze and Slide Motion ...
...
The Figure of Visual Standstill in R.W. Fassbinder’s Films Christa Blümlinger Currently, questions of film theory regarding phen ...
Daney argues that advertising, video clips, and the films based on these forms today mobilize an excess of visual standstills th ...
time order linked back to its textuality and its materiality, a form of reflexivity can emerge. Such an analytical gesture appli ...
figure, but also at the opening of some of his films, where it has the capacity to bind itself to other forms of suddenness. Wit ...
stills astonishingly do not only serve as a curtain or backdrop for the final cred- its–this is Daney’s critique of several film ...
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